Tag Archives: quiet

Oregon Sky

Oregon Sky
A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

Oregon Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

This, I suppose, is sort of a vacation photograph — a subject “snapped” with a handheld camera while on a hike. “Not a normal vacation snap!,” you say? Well, OK. To be honest, I’m not a very reliable family vacation photographer. I have to remind myself to make those “normal” (and important!) straightforward photographs of people and activities. And, somewhat sad to say, I came back with none of those at all from my recent family camping trip in the Cascade Lakes region of Oregon.

But I did bring this back. One morning, before joining the rest of the gang for morning camp festivities, I went for a short hike along the shoreline of Lava Lake. It was a very quiet and slow morning. I don’t think I met more than a couple of other hikes and the biggest action was the passing of a couple of kayakers. The lake was still since the day’s winds and not started yet, and there was a wildfire smoke haze in the sky. In this part of Oregon, at least on this day when the smoke obscured more distant features, the open sky dominated the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wall of Redwoods

Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Shoreline

Morning Shoreline
Boulders and forest reflected in the quiet water of a Yosemite National Park backcountry lake.

Morning Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Boulders and forest reflected in the quiet water of a Yosemite National Park backcountry lake.

This photograph takes me back to 2014, when a group of us spent a week in the Yosemite backcountry. We first visited this lovely lake set in a forested bowl not far from the edge of a big canyon, in an area with lots of beautiful granite slabs, a nearby overlook, and early autumn meadows. We left this spot after a few days and set up another base camp halfway back to our trailhead.

The lake is not a large one, and almost every morning or evening wander along its banks ended up being a circumnavigation. One shoreline was mostly forested, another was dotted with granite boulders, and a smaller area near the outlet stream was more open and flat. I photographed this scene one early morning just before the light of the rising sun managed to angle down to the shoreline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bluffs, Surf, and Haze

Bluffs, Surf, and Haze
Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

Bluffs, Surf, and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

The scenes like this one that I photograph, visit and revisit… the more clear is the contrast between their timeless nature and the way we live our lives. This photograph comes from over almost a decade ago — which either feels like a very short time or a very long time right now — but it could have come from virtually any time in the past. There’s nothing obvious in it to link to any particular time.

The scene likely feels familiar to anyone who lives near or visits locations where coastal flatlands run up against the edge of the continent. The sea eventually wins the inevitable battle, and in the process produces a stark contrast between gentle, flat bluffs and the cliffs at their edges, which drop precipitously into the ocean and leave behind sea stacks and small islands. On this evening the sea was rather quiet and a thin fog was beginning to obscure distant views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.