Tag Archives: red

Red Doors

Red Doors
Red doors, reflective panes, San Francisco

Red Doors. © Copyright 2019 G Dan Mitchell – all rights reserved.

Red doors, reflective panes, San Francisco.

Here is another photograph from my search for color last week in San Francisco. OK, my main purpose in taking the train up there wan’t literally to search for color — it was to do street photography in this rich urban environment. But the way I see “street” often includes color as an important element. (Sometimes I employ a little mental checklist to keep me focused and flexible when looking for subjects, and the word “color” is one of the points on the list.)

As is often the case, I don’t recall precisely where I found this pair of red doors. (It was quite possibly in the vicinity of San Francisco’s Chinatown district.) Oddly, I do have a rather specific memory of seeing the doors and making the photograph though, a process that included an answer to the question, “How do I avoid putting my own reflection in those windows!?”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Climbing The Stairs

Climbing The Stairs
A woman slowly climbs stairs near the entrance to a tunnel, San Francisco

Climbing The Stairs. © Copyright 2019 G Dan Mitchell – all rights reserved.

A woman slowly climbs stairs near the entrance to a tunnel, San Francisco.

The last time I took one of my quick trips to San Francisco to do street photography was months ago, and I’ve been planning recently to get back up there. Yesterday I finally found time. My photographic ritual there is pretty straightforward: I get up very early and catch a train up the Peninsula, typically arriving by about 7:00am. I travel light, with only the gear that will fit in a very small shoulder bag that doesn’t really look like camera gear. I walk, and this time I wandered close to eight miles over the course of about four hours, traveling through some areas that are run down in interesting ways, through the center of the financial district, and into the Columbus and Grant and Stockton streets areaI.

I enjoy street photography for several reasons. To be honest, as much as I love the natural world, I also love cities, and even more I love wandering through them on foot. Photographically-speaking, they provide a rich lab environment for finding compositions, color, people, and more. Street photography is usually be done unencumbered by the bulky gear I often use for landscapes, and I love the spontaneous aspects of it. This photograph embodies a number of things that I look for when photographing street. I’m always attracted by color and patterns and light — and this scene just inside the end of a tunnel is full of all of these things.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Sky, California

Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Colorful Rocks, Lichen

Colorful Rocks, Lichen
A shadowed rock face with red lichen

Colorful Rocks, Lichen. © Copyright 2018 G Dan Mitchell – all rights reserved.

A shadowed rock face with red lichen

This photograph looks at some details that might be easy to overlook. The rock face was located along a trail we walked on our way to our base camp for nearly a week of Sierra Nevada backcountry photography, and we ended up camping perhaps a half mile from this spot. Most of my focus was on higher terrain, but later during our visit I found the time to walk down-canyon to this spot and photograph this wall.

Several things were striking about this feature. From a personal perspective, I was surprised that I had completely ignore such an interesting source of intimate landscapes when I walked past it the first time. Now, as I revisited it, I realized that the light here was quite special, with some reflections from bright, high peaks across the valley, and additional light coming from the blue sky, with both sources filling in soft light. Here and there small plants found a foothold in cracks, and colorful lichens, ranging from intense reds and oranges through bright greens and yellows grew on the face.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.