The 1 World Trade Center (1 WTC) building under construction on August 23, 2011, New York City.
“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” – Ansel Adams
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
First sunrise light on the Minarets, Mount Ritter, and Banner Peak above Ediza Lake, Sierra Nevada, California.
I made this photograph during a long and leisurely pack trip into the Minarets area of the Sierra Nevada near Mammoth Lakes. It was leisurely because I accompanied my brother and his family – and the fact that some kids were on the trip contributed to the slower hiking pace… as did the fact that both he and I wanted to make photographs.
This is a popular and accessible area of the Sierra, and also one that is a bit unusual. Typically the highest peaks of the range are found on the actual crest, but here the Sierra crest is further to the east and rather low, being right about where the Mammoth Ski Area is located. Across an intervening valley – a valley that holds Devils Postpile National Monument – loom the high and jagged peaks of the Minarets, a series of impressive spires, and the summits of Mount Ritter and Banner Peak. While in most of the Sierra the areas to the east of the highest peaks descend rapidly to the high desert, here the areas below these peaks remain very high and provide a different view of the eastern faces of the peaks.
The photograph was made very early in the morning along the shoreline of Ediza Lake on a day when clouds were already starting to build even at this early hour. Yes, there was rain later on!
Broken clouds cover the sky as morning light comes to Ediza Lake and surrounding peaks, Sierra Nevada.
This is a photograph from about four years ago, when I made a several-day trip into the area around the Minarets and travelled slowly between Ediza Lake and Thousand Island Lake. I was on the trail with my brother’s family, so we took it fairly easy and stayed at Ediza and then Thousand Island for several days. This provide plenty of time for photography, unlike some of my “traditional” trips on which I tended to move every day.
We had “interesting” weather on this trip, in all senses of the word “interesting.” In fact, the conditions really were quite good for photography, ranging from perfectly clear dawns to afternoon thunder showers and everything in between. On one memorable late morning I had hiked up from Ediza to the some higher lakes closer to the Minarets. When I left it was perfectly clear, but by the time I arrived at my destination (or perhaps my new, closer destination once I saw the weather) it became clear that it wasn’t going to remain clear for long. Being a bit too trusting of the earlier clear weather, I had gone out with no rain gear, and by the time I got close to camp very large rain drops were starting to fall.
This photograph was made in the morning from the shoreline of Ediza Lake. It looks back over the lake toward Mount Ritter and Banner Peak, whose two large summits dominate this whole area.
The middle of a summer day at Siesta Lake, Yosemite National Park.
And, surprise!, yet another photograph dredged up from the archives during my summer crawl through the past eight years of raw files.
Siesta Lake is probably well-known to almost anyone who has driven across Tioga Pass Road (highway 120) from west to east through Yosemite National Park. As the road ascends from into the higher elevations, at one point it rounds a turn and there on the right is this pretty and peaceful little lake, right next to the road, surrounded by trees and boulders, and often with water lilies floating on its surface. Few can resist a quick stop, unless they are in a real hurry or have stopped there many times before. I’ve stopped there lots of times, but I still do pull over for at least a quick look.
This photograph of the lake is a bit unusual for me in a couple of ways. For one thing, it was made during the middle of the day, during those hours that are not supposed to be conducive to photography – and, in fact, which can be very challenging. But on this day there was a thin layer of overcast broken by thicker clouds, and this somewhat muted the midday intensity of the light. In addition, I think that I most often work close views of the grasses and, especially, the flowers growing in the lake – but here I stood back a bit and took in everything from the foreground to the trees on the opposite shore. Finally, the vast majority of photographs I’ve made here are in landscape (wide) orientation, with some even going all the way to 2:1 panoramic formats and beyond.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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