Tag Archives: reflection

Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos
Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos. Point Lobos State Reserve, California. July 21, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

G Dan Mitchell Photography
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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street
Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

G Dan Mitchell Photography
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Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake
Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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