“Mondrian Wall” — A wall of a school building closed during the pandemic.
Why, yes, this is from the “Postcards from Pandemia” series of photographs made on my almost-daily walks in the greater neighborhood, an area including a range of subjects in suburban neighborhoods, apartment complexes, closed schools, nearly empty parks, a largely shuttered business district, and light industrial zones.
This is a detail of a wall at the front of a school that is became deserted at about the time when students would have been pushing through the last part of the academic year and looking forward to summer. If you are like me, you might find more than one way to look at this scene.
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Dawn fog rises from a drainage canal in California Central Valley agricultural country.
This area of California’s Central Valley, not far from Sacramento, is a somewhat special place for me despite its relatively mundane appearance. It isn’t a park, you won’t find it on any maps, it is at the terminus of a narrow dead-end road. But it is the place where I “discovered” the state’s migratory birds and began photographing them. I had not really been interested in the subject at all until one morning I had a chance encounter with a colleague in the coffee line at my college. She told me I should go look at this place — “There are lots of birds.” For some reason, a few days later I arose well before dawn and drove a couple of hours to take a look..
She was right. There were lots of birds. Clouds of them, flying in all directions. I more or less had no idea what any of them were — I think I simply figured they were all “geese” — but I was hooked. (In fact I saw cranes, tundra swans, ibises, egrets, and, yes, lots of geese.) On this later trip I paused out on the little road and photographed back toward the early morning sky as fog rose from the water in an irrigation channel.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A solitary tree grows along the shoreline of an alpine lake below Sierra Nevada granite benches.
This is another “quiet light” photograph, made during the “edge of the day” times when the light is muted and soft, when the glow of light on nearby rocks gently enters the scene. During these hours, especially in the morning, the air is still and cool, the reflective surface of water is unbroken, and the world is a quiet place.
I made this photograph very near to our weeklong backcountry base camp, in a high, rocky spot nestled in the curving shore of an 11,000′ lake in a valley full of meadows, boulders, and running water. The high valley was surrounded by even higher peaks, and every morning before the sun rose above those ridges we have and hour of more of this light.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.
The photography, of course, is the main excuse for our trips to places like these. We go to some lengths to put ourselves in locations like this for days or longer — lots of advanced planning, solid backcountry travel to get there, and then a week or more of living in tents. But the advantages are many. Obviously the “scenery” is often right outside our tent doors, and when great light happens we are essentially right there. Because we are there for a significant period for time we can more carefully and completely explore our surroundings, finding hidden gems, figuring out best times for various subjects, and returning to them as necessary. We also have the time to slow into the natural backcountry rhythms, where it seems that we have much more time to do all of the important things — photography, of course, but also sitting a looking or having a look discussion with colleagues/friends.
This view was literally steps from my tend, set on what seemed almost like a large peninsula nestled within the curve of the lake. After our first sunrise here it became apparent that the intensely colorful first light would be a fleeting subject. Due to the surrounding geography, this first color would initially spread across the summit of this ridge… but then quickly lose its color. This was a quiet morning, with little wind, so I decided it was time to stake out a camera location and photograph the first light reflected in the lake.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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