Tag Archives: reflection

Subalpine Lake, Dusk

Subalpine Lake, Dusk
Dusk comes to a Sierra Nevada subalpine lake on a rainy evening

Subalpine Lake, Dusk. Yosemite National Park, California. September 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dusk comes to a Sierra Nevada subalpine lake on a rainy evening

Near the middle of September three of us spent a week camped at one Yosemite back-country lake, photographing the lake and its surroundings every day in a range of conditions. At times we dealt with this summer’s extremes of wildfire smoke, which was occasionally so thick that it almost seemed like fog and it made breathing difficult. But each day, even on the smokiest days, the wind picked up and it cleared out enough to make photographs — some days the early morning was clear and the smoke drifted in later, while on other days we started out with murky conditions and then watched them clear.

A bit to our surprise, on the last few days a weather front came through and we had much more “interesting” weather — rain, wind, hail, graupel, and clouds swirling around the nearby peaks. On this evening the clouds were gathering — it would rain later that night — and patterns of lighter and darker clouds filled the sky above our lake. Late in the evening, as the light was beginning to fail, I walked a short distance from my tent, set up along the shoreline, and mad some photographs of this mysterious scene in the fading light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflections, Cathedral Range Granite

Reflections, Cathedral Range Granite
Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

Reflections, Cathedral Range Granite. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved

Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

This is likely to be the first in a somewhat large group of photographs made during a recent weeklong stay at a backcountry Sierra Nevada lake with friends and fellow photographers Charlie Cramer and Scot Miller. The two of them are part of a larger group of photographers who have photographed annually in the high Sierra, most often in Yosemite, for about the past 15 years. I’m a more recent hanger-on, first tagging along on my own perhaps a half-dozen years ago, and then participating more fully for the past three years or so. The typical plan is to pack in to a scenic backcountry location, set up a base camp, and then photograph the heck out of the area for a week or so. This approach has all kinds of advantages — too many to completely describe them here — including the ability to watch for perfection conditions or to return to a location and refine a vision of the subject over a period of days.

Near the start of the trip I saw this little area where vertical rocks meet water near the edge of a lake. My first photographs were OK, but just OK. However, I knew the spot had potential given the right water and light conditions. I watched the area each time I passed it, always watching for those better conditions. I got them on this day, when the water had become almost completely still, producing a more coherent reflection of the lichen-covered rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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