Tag Archives: rise

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

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Sunset and Moonrise, Kuna Crest
Sunset and Moonrise, Kuna Crest

Sunset and Moonrise, Kuna Crest. Yosemite National Park, California. August 10, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

G Dan Mitchell Photography
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Mesquite Flat, Sunrise

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Dunes, Mesquite Flat, Sunrise
Mesquite Flat Dunes, Sunrise

Dunes, Mesquite Flat, Sunrise. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Early morning light striking minor dunes on Mesquite Flat with Cottonwood Mountains wash and the Last Chance Range in the distance, Death Valley National Park.

These dunes are not too far from the main Mesquite Dunes near Stovepipe Wells – they are a bit further east from the better known tallest section of the dunes. The areas of lower dunes provide some very interesting shapes and textures on a smaller scale in some ways that those of the larger dunes. I photographed these with a long lens, shooting from a rise, at a point in time very shortly after the first morning light had struck the sand. The background hills, part of a very large alluvial fan at the base of the Cottonwood Mountains, were in the shadow of a cloud.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Community

Ansel’s Moon

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Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

First Light, South Tufa

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First Light, South Tufa

First Light, South Tufa. Mono Lake, California. June 7, 2009. © Copyright G Dan Mitchell – all rights reserved.

First light of dawn illuminates tufa towers and distant mountain at Mono Lake, California.

This photograph was made at the usual spot – anyone who has photographed at Mono (and who hasn’t!? :-) knows that the most consistent spot to shoot sunrise light is at the South Tufa area, down the road from highway 395 a bit south of Lee Vining. On a good morning you’ll have at least some clouds, and the location of those clouds may dictate what your foreground subject is; do you want to shoot to the north and the low hills, to the east and towards the sunrise, or toward the Sierra Nevada crest? You arrive very early, usually well before dawn, and walk out to the edge of the water where the towers are. You find a composition and wait, with the only sounds the cries of seagulls (a sound I immediately associate with Mono) and possibly the voices of other photographers. The sky begins to lighten and then, almost before you know it, the warm glow of the first dawn light begins to light up the towers. (Am I the only one who marvels that this happens in almost complete silence?)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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