Tag Archives: rock

Slot Canyon Narrows

Slot Canyon Narrows
“Slot Canyon Narrows” — A very narrow and deep section of a Utah slot canyon.

This is the sort of slot canyon “narrows” that most of us imagine when we think of these places. You can literally touch both walls while walking though, and in places the space was just wide enough for me to pass. (I had to be careful to not bump my tripod-mounted camera as I walked through.) In person, such narrow and deep canyons are darker than we render them in photographs, but the light is very soft and beautiful.

I am sort of embarrassed — yet in a way also sort of proud — that I arrived at this place more or less by accident, and not by the usual direct route. I was out “poking around” in this area, and on a hunch I started hiking down an open canyon which soon narrowed into a slot canyon. Eventually I arrived at a junction in the canyon, where this very narrow slot intersected the main canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Cliff Detail

Sandstone Cliff Detail
“Sandstone Cliff Detail” — A section of a sandstone cliff face featuring fracturing, strata, exfoliation, and water markings.

The textures, forms, colors, and patterns found in Utah sandstone walls amaze me. They can be so complex that I sometimes imagine that I see things like writing or images, but patterns formed naturally over the millennia. Here we can see layering at more than one angle, marks left by dripping and flowing water, the effects of exfoliation, and more.

This bit of wall might usually not get a lot of attention. If I recall correctly (it has been a decade) I found it in an odd corner of a canyon at Capitol Reef — not in a particularly iconic location within the park. Because it was later in the day the high canyon walls blocked the direct sunlight, allowing the softer light to fill that shadows a bit and reveal more details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Small Aspen, Trunks, and Rocks

Small Aspen, Trunks, and Rocks
“Small Aspen, Trunks, and Rocks” — A small aspen tree grows along a rock face beneath taller trees.

As a fall color photograph, this is a bit subtler than some of the others I have recently shared. Instead of walls of brilliantly colorful aspen groves we have a single small tree along with a few other even “quieter” bits of autumn color. But the truth, of course, is that autumn in the Sierra is mostly not about those aspens, as spectacular as they are. The arrival of autumn with drying meadows, old leaves on the ground, and more is subtle but undeniable.

This little vignette is along a rock wall high in an Eastern Sierra canyon. The route is, for a distance, lined with rocks and with aspens that grow at their base and from cracks in the rock. I pass by here every autumn and inevitably stop to photograph — so these trees and rocks are “old friends” of mine at this point.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

One Rock

One Rock
“One Rock” — A solitary orange-tinted rock on a bed of blue and gray rock.

Rocks tell stories in the high country of the Sierra Nevada. I can’t understand the details of all of these stories (I’m not a geologist!) but I understand some of the themes. One is the constant wearing down and eroding of the highest peaks, a process that eventually transports rocks far from their source. And when this happens you find things like this solitary orange-toned rock sitting on a bed of entirely different material.

These small details fascinate me in the mountains. Yes, I do love and am impressed by wide panoramas and towering, dramatic ridges. But over time I’ve learned to look at smaller things. They provide so much material for photography, they are everywhere, and they turn seemingly familiar landscapes into endlessly fascinating places.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.