Tag Archives: rough

Photographs: Central California, Photographs: Ocean & Coast

Sea Stacks and Surf, Big Sur

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Sea Stacks and Surf, Big Sur
“Sea Stacks and Surf, Big Sur” — Rough surf and rugged sea stacks along the Big Sur coastline.

California’s coast is quite varied — in places you can find classic wide beaches, but there are impossibly rugged, inaccessible areas, too. (One section in far-northern California is so rugged that engineers were forced to divert the route of Highway 1 far inland.) This photograph comes from a section of the upper Big Sur coast that combines that ruggedness with a degree of accessibility.

I visited on the late-June morning because friends and fellow photographers were visiting the area — so it was a chance both to photograph and to meet up with them. We arrived very early, before the tourist crowds, and photographed soon after the sun cleared the coastal hills and light arrived on the rugged, rocky shoreline and surf.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Winter Surf, Clearing Sky

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Winter Surf, Clearing Sky
“Winter Surf, Clearing Sky” — Skies clear above winter surf as a Pacific Coast storm dissipates.

This photograph of winter surf and clearing sky was the culmination of a day-long weather transition. We heard reports of record-high surf along the Pacific coast, so we headed right over to see it. When we arrived, the surf was huge, but it was raining, producing a dark and ominous scene. As the day wore on those clouds began to thin, and before long the sun began to poke through. By the time I made this photograph there was more sun than shadow.

The surf is the main character in this scene. As we watched from the shore, the waves rose to impressive heights in the distance, producing monumental spray as the crashed ashore. But the light was nearly as interesting. This close to the water, the mist-filled atmosphere had a glowing, luminous quality.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Rocks, Surf, and Horizon

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Coastal Rocks, Surf, and Horizon
Pacific Ocean surf breaks over coastal rocks, backed byt the distant horizon.

Coastal Rocks, Surf, and Horizon. © Copyright 2023 G Dan Mitchell.

Pacific Ocean surf breaks over coastal rocks, backed byt the distant horizon.

This may be the final photograph in a recent series of images from a short visit to the upper Big Sur Coast during a brief break between our recent storms. It was just one morning, but after being kept mostly inside by a stream of closely-spaced storms, it seemed like time to get out!

While there were no storms on this day, the effects of the past storms were everywhere — downed trees, landslides, damaged roadways. And the next one was already starting to arrive, muting the light, sometimes making the atmosphere a bit murky, and generating large surf from the northwest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocks, Spray, and Light Beams

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Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.