Tag Archives: route

Panamint Valley, Wash

Panamint Valley, Wash
A large desert wash curves towards the Panamint Valley

Panamint Valley, Wash. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large desert wash curves towards the Panamint Valley

I always associate this view, of this canyon and the valley and mountains beyond, with leaving Death Valley. For many years I always access the park via the road up from Ridgecrest that passes through the desolate town of Trona, coming up the Panamint Valley before entering the park, either over Towne Pass or via Emigrant Pass and Wildrose Canyon. At some point I decided to take what I later determined to be the route favored by many other visitors, route 190 across to highway 395 at Olancha near the dry desolation of Owens Lake.

This view lies along that route. Shortly after leaving Panamint Valley the road passes up a bit of a canyon, crosses a ridge, and then tracks along the slopes paralleling this wash that runs out into Panamint Valley. The wash itself has a beautiful quality, curving gracefully around toward its arrival in the larger valley between the two dark, rounded hills. Across the Panamint Valley, at the base of the far mountains, there are sandy stretches which develop into full-blown dunes just a bit to the left of the area shown in the photograph. On this morning a weather from was coming in, producing some dramatic clouds above the Panamint Range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Forest, Morning Light

Sierra Forest, Morning Light
First morning light arrives in dense Sierra Nevada forest

Sierra Forest, Morning Light. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First morning light arrives in dense Sierra Nevada forest

Spend enough time somewhere and you begin to develop surprising relationships with surprising little places that perhaps no one else would even notice. Since I’ve been going to the Sierra for decades, I’ve had plenty of time to find my own “little places” and to begin to understand and value this. Some decades ago, when my backpacking experience became extensive enough that I often found myself back at places that I had previously visited, I was surprised to discover that particular rocks (like one at a high country lake where I often set up my camp kitchen, or another where I once sat and watched a storm blow in), creeks (such as one near 11,000′ in the southern Sierra where I have camped alone and with friends), trees (such as the one we discovered decades ago on a trip with kids, shortly after it had been blasted apart by lightning), and others acquire a quality of old, familiar friends.

This little bit of forest has become one of those places. It is not quite in the “back-country.” In fact, it is a scene that I drive past on my way to other places. But a few years ago it caught my attention and I began to inspect it every time I passed by, sometimes stopping to look more closely. I cannot quite articulate why or how it is that this bit of forest became “mine,” but it did. I was camped nearby on this morning and had gone out to look for light when I remembered the spot and arrived just as the first direct morning sunlight was beginning to enter the grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Aspen Palette

The Aspen Palette
The Aspen Palette

The Aspen Palette. Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Colorful eastern Sierra autumn aspen groves along US 395.

This is another photograph from a few years back that I rediscovered while reviewing many, many photographs for a project that I’m working on. I made the photograph in mid-October along highway 395 in the eastern Sierra, where the autumn colors had finally worked their way down from the higher regions toward the valleys. This large grove of aspens is a fall favorite of mine. The sub-grove extend mostly from left to right across the scene, and the genetically related trees of each group seem to change colors at different times and to end up with different coloration — and when my timing is just right and the season cooperates, almost the entire palette of possible aspen colors can appear here at once. In this photograph we have brilliant reds at the bottom of the frame, blending through orange toward yellow/gold, with a few still-green trees and even a few that have lost most of their leaves.

As I worked on this photograph recently I realized that I made it at a time that seemed much different in California. The two preceding winters had brought record levels of precipitation, the high country had opened late with snow remaining much later than usual, and there was water everywhere. This October visit to the eastern Sierra came near the end of the second wet summer, and it looked like we were about to be in for another wet winter, with early season storms. Then the tap was shut off, and we experienced three years are terrible drought. These trees and others in the range are now under a great deal of stress, and the past autumn was a bit of a strange one. And now, in the fourth year, the Sierra is still experiencing far below normal snowfall and far above-normal temperatures.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Burr Trail, Strike Valley

Burr Trail, Strike Valley
Burr Trail, Strike Valley

Burr Trail, Strike Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Burr Trail route as it ascends from Strike Valley towards the ridge of Capitol Reef National Park

The Burr Trail is one of the back routes through this section of Utah. It ranges from some decent paved sections to portions that are gravel and somewhat “rustic.” This is one of the latter section, at least for a short distance, as it climbs from the valley seen in the photograph to the top of a ridge behind my camera position inside Capitol Reef National Park before heading west toward Boulder.

This climb exposes some amazing geology, most of which I can only understand in the most basic of terms. This is the Waterpocket Fold area, where the strata are inclined steeply upwards as they rise to the west, and almost everywhere the evidence of these ancient layers of rock is abundant. Here the road enters a narrow canyon at the edge of the valley and soon climbs steeply up to the ridge that runs north-south for a good distance inside the national park. The view here is across the valley — with its central ridge “rib” — toward the steep cliffs on the opposite side of the valley and then rough terrain rising to mountains beyond.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.