Tag Archives: rugged

High Country Sunset

High Country Sunset
Sunset light on trees along the shoreline of an alpine lake below talus fields.

High Country Sunset. © Copyright 2022 G Dan Mitchell.

Sunset light on trees along the shoreline of an alpine lake below talus fields.

This is the highest of a small series of three Yosemite backcountry lakes — the lowest in forest, the middle right below steeping terrain, and this highest lake surrounded by alpine meadows and rocky slopes and ridges. When I visit I usually camp at the lowest lake and then day-hike to the upper at the times of best light.

This time I went up late in the day, planning to stay through sunset and then hike back down to my camp in the gathering darkness. This lake sits just below a high, shattered ridge covered with slabs, talus, and boulders. It catches the late light and produces a wonderful backdrop to the lake, the green shoreline meadows, and the trees catching the golden hour colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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West-Facing Wall

West-Facing Wall
Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

West-Facing Wall. © Copyright 2022 G Dan Mitchell.

Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

In the recent series of panoramic photographs from the Yosemite backcountry and a follow-up photograph in a more typical orientation, I mentioned this location and its extraordinary exposure to the western sky. Among backcountry locations with which I’m familiar, this one is perhaps the most reliable at producing beautiful sunset light and alpenglow.

For this photograph I decided to simply compose straight on, looking right at the upper (and east) side of the bowl. Even though peak sunset color has not yet quite arrived, the entire cliff face is washed with this warmly-colorful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monterey Cypress, Fog

Monterey Cypress, Fog
A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning and Point Lobos.

Monterey Cypress, Fog. © Copyright 2022 G Dan Mitchell.

A gnarled Monterey Cypress tree tops a rocky promontory on a foggy morning at Point Lobos.

Finally, this should be the last in the four-photograph series of images that focus on this gnarled and weathered tree standing on top of a rocky prominence along the exposed north shore of Point Lobos. The tree is always impressive, but I was fortunate to catch it on a morning when persistent coastal fog was thinning and creating glowing light that was just slightly directional.

Of the four interpretations of this scene, this one fits with the earlier portrait-mode version as one of the two most conventional views. In both cases the tree is clearly the primary subject, more tightly framed in the portrait mode interpretation and including a bit more background in this landscape mode version. (The other two used wider formats and included additional elements of the larger scene — a clearer view of the white rocks and cormorants in one case, and some nearby trees in the other.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Trees, Coastal Fog

Two Trees, Coastal Fog
Two Monterey cypress trees in fog along the rugged north shore at Point Lobos.

Two Trees, Coastal Fog. © Copyright 2022 G Dan Mitchell.

Two Monterey cypress trees in fog along the rugged north shore at Point Lobos.

As promised, here is yet another way of looking at the scene featuring the prominent tree on the left, a beautiful specimen of gnarled and weathered Monterey cypress along the north shore at Point Lobos. For this version I pulled back a bit and took in the larger scene, going with a semi-panoramic aspect ratio that includes a wider view and includes a second tree and the fog-shrouded ocean beyond.

Photographers (and practitioners of other arts) often describe some aesthetic object as being “perfect.” I’m not so sure that the term, at least in a classic sense, really works for such things. It implies that there is one “perfect” and ideal way of seeing or presenting something. It seems to me that there are multiple excellent ways to do such things, especially in the creation of art. If you asked me to select one of the four (yes, there’s still one more!) versions of this photograph as “the best,” I’d find it almost impossible to make a definitive choice.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.