Tag Archives: rugged

Red Rock Gully

Red Rock Gully
Red Rock Gully

Red Rock Gully. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

A red rock gully and wash in the Panamint Range of Death Valley National Park.

I have driven past this area along the road from Death Valley up to Wildrose Canyon quite a few times, and as I do I always am impressed by the many convoluted little canyons and odd and interesting rock formations. Most often I have been on my way to some other place or the light wasn’t quite right, but I always take a look and make a mental list of little spots to keep an eye on. This particular little canyon is one you might not even notice unless you were looking carefully as you passed it. It is in a narrow section of the lower canyon where it is one of many such little landscapes. On this morning I was coming back down from shooting up higher in the Panamints and I was watching carefully as I drove, frequently pulling over to stop and check things out more carefully. At first I almost drove past this spot, but it looked like the light might be interesting this time so I quickly stopped and backed up and made a series of photographs including this one.

The question of how to frame this scene was an interesting one. As is often the case I cover more than one base and shoot the subject in several ways. Initially I worked with a vertical orientation that includes a bit more of the rough terrain a bit higher in the canyon. That image may still see the light of day! But as I shot the scene I also realized that I could use a horizontal orientation too, more tightly frame the entrance to the small canyon, and give up some of the upper canyon formations.

With many subjects I would prefer softer light, and I would probably try to shoot much earlier in the day or come back in the evening. But this canyon, I think, works well in the light of a bit later in the morning when the sun has topped the ridge and direct light hits the top of the rocks and reflects into the recesses a bit more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monterey Pines, Fog

Monterey Pines, Fog
Monterey Pines, Fog

Monterey Pines, Fog. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Pines growing along cliff tops on the north shore of Point Lobos State Reserve with Carmel coastline visible in the distance.

These beautiful and tough Monterey Cypress trees grow at the edges of cliffs above the Pacific Ocean along the north shore of Point Lobos, and on this foggy morning the outline of the Carmel shoreline was just barely visible beyond them. The light was difficult, but I think it ended up helping produce a very moody image that, for me, evokes that feeling of walking though this area on such a morning.

I’m one of those strange people who is usually a bit disappointed when the weather here is clear! In fact, I’ll change my mind and decide not to go photograph at Point Lobos if I hear it is going to be a beautiful blue sky day. My ideal is a day with fog or clouds or rain, and especially so if there is a chance that a bit of light might try to break through clearing (or arriving) clouds.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monterey Cypress Trees, Fog, Carmel Peninsula

Monterey Cypress Trees, Fog, Carmel Peninsula
Monterey Cypress Trees, Fog, Carmel Peninsula

Monterey Cypress Trees, Fog, Carmel Peninsula. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Carmel Peninsula is barely visible though fog beyond Monterey Cypress trees along the north shore of Point Lobos State Reserve.

This was a typical summer day in coastal California – completely socked in by a thick, gray blanket of cold, wet fog! The light was somewhat dismal, so it wasn’t a day for typical “scenic” landscape or seascape photography, though the colors of the plants and trees were saturated by the soft light and the distant peninsula faded almost to monochrome though the fog across the bay.

These Monterey cypress trees grow along the tops of the rocky cliffs above this part of the Pacific Ocean, in some of the most exposed and precipitous locations imaginable. In some spots they are left exposed to the full force of the ocean winds and winter storms, and they grow close to the ground, following the contours of the rocky terrain in ways that remind me of trees growing in exposed locations near timberline in the Sierra. In other spots they are a bit more sheltered and they seem to be able to “stretch out” a bit, as these trees do along a section of the rocky cliffs that faces more into the bay than out to sea.

The bay holds the outlet of the Carmel River, and the peninsula visible across the water in the distance is the coastline of the town of Carmel. The foreground trees are within the boundaries of the Point Lobos State Reserve.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.