Tag Archives: sandstone

Utah Backroad

Utah Backroad
“Utah Backroad” — A Utah backroad ascends into a steep canyon at Capitol Reef National Park.

This track turns off from another gravel backcountry road and then winds its way into the high sandstone mountains of Capitol Reef National Park. There are roads like this all over Utah, and they lead to some incredible country. This one is in a national park, but many are not — yet they traverse country that would be worthy of such a designation. Fortunately the rough (sometimes very rough) routes minimize tourist impact.

This one rises in a huge Utah feature called the Waterpocket Fold, a long line of rising strata that form a valley and adjacent mountains. The scene has most of the typical Utah backcountry features — a large butte, dry flatland, sandstone towers, and even some nearby canyons.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Slot Canyon Narrows

Slot Canyon Narrows
“Slot Canyon Narrows” — A very narrow and deep section of a Utah slot canyon.

This is the sort of slot canyon “narrows” that most of us imagine when we think of these places. You can literally touch both walls while walking though, and in places the space was just wide enough for me to pass. (I had to be careful to not bump my tripod-mounted camera as I walked through.) In person, such narrow and deep canyons are darker than we render them in photographs, but the light is very soft and beautiful.

I am sort of embarrassed — yet in a way also sort of proud — that I arrived at this place more or less by accident, and not by the usual direct route. I was out “poking around” in this area, and on a hunch I started hiking down an open canyon which soon narrowed into a slot canyon. Eventually I arrived at a junction in the canyon, where this very narrow slot intersected the main canyon.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Cliff Detail

Sandstone Cliff Detail
“Sandstone Cliff Detail” — A section of a sandstone cliff face featuring fracturing, strata, exfoliation, and water markings.

The textures, forms, colors, and patterns found in Utah sandstone walls amaze me. They can be so complex that I sometimes imagine that I see things like writing or images, but patterns formed naturally over the millennia. Here we can see layering at more than one angle, marks left by dripping and flowing water, the effects of exfoliation, and more.

This bit of wall might usually not get a lot of attention. If I recall correctly (it has been a decade) I found it in an odd corner of a canyon at Capitol Reef — not in a particularly iconic location within the park. Because it was later in the day the high canyon walls blocked the direct sunlight, allowing the softer light to fill that shadows a bit and reveal more details.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Creek Bed, Autumn Leaves

Creekbed, Autumn Leaves
“Creek Bed, Autumn Leaves” — Autumn leaves scattered on the sand of a creek bed, Zion National Park.

Photographing desert canyon streambeds like this one in Zion National Park is rewarding in so many ways. They are little laboratories in composition, texture, alight, and color, with nearly infinite variations. Water, whether by the current flow or the aftereffects of its passage, produces all sorts of fascinating patterns. It rearranges, moves, and sometimes collects whatever is loose — in this case autumn leaves. The light can be magnificent, soft and colorful. In ideal conditions it reflects back and forth between red rock canyon walls before softly and warmly bathing the canyon depths.

Beyond all of that photographic stuff, canyons are just fascinating places to be. The walls cut off the outside world, and your horizons are measured in feet. It is usually very quiet, with the exception of a bit of breeze, the sounds of water, and sometimes a bird song. When I visit them I wander slowly, taking it all in.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.