Tag Archives: scenic

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Shoreline Trees and Mist

May 12, 2013 G Dan Mitchell Leave a comment

Silhouettes of shoreline trees on a misty morning at Tomales Bay, California

This photograph was made along the shoreline of Tomales Bay, near Inverness, California and north of San Francisco very near to the Point Reyes National Seashore. I was there, in fact, to visit Point Reyes. As I passed through the Inverness area, the sun rose over the fog-shrouded hills of Marin County, and I decided to stop right there, short of my actual goal, and make some photographs in this interesting early morning light.

Looking to my left and toward the northern entrance to Tomales Bay, everything was front- or side-lit, the sun shone brightly, colors were intense, and the fog was clearing. Looking to my right, I was facing directly into the rising sun and seeing it through the misty remnants of fog along the Marin hills, and the colors were washed out by the atmosphere and bright light. I used a long lens to pick out this row of shoreline trees from the larger landscape and to be able to make a photograph that excluded the sun itself. But it was still very bright. Mist rises off of the foreground water of the bay and a bit of fog still lurks beyond the trees. To look at this photograph you might think you are seeing a monochrome image that has been sepia toned… but this is the actual color of the light in these conditions.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliffs, Morning Light

May 11, 2013 G Dan Mitchell Leave a comment

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Forest, Yosemite Valley

May 10, 2013 G Dan Mitchell Leave a comment

Early evening light filters through forest, Yosemite Valley, California.

I’m probably not alone in loving the early evening forest light, as the sun’s light filters horizontally between the trees just prior to dropping below the horizon or nearby ridges. As I wandered along looking for dogwood blooms, I passed a section where the forest thinned a bit beyond the nearest trees, and allowed a bit more light to hit the trees. I only had a few moments to make this photograph before the light ended.

This is one of many examples of how the light changes everything. In the middle of the day these trees would seem gray and the light would be harsh – dark shadows would make it very difficult to photograph in an interesting way. But here the light coming from behind the dogwood leaves and brush makes it glow, and the late-day warm color of the light turns those gray trees all sorts of interesting shades of brown.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Fog and Forested Ridges

May 9, 2013 G Dan Mitchell Leave a comment

Winter fog envelops forested ridges near Mount Tamalpais on the Pacific coast north of San Francisco

I photographed this scene on an early February day when the atmosphere was especially murky north of San Francisco. I had traveled this way for the day with some very general ideas about photographic subjects, but once I got “there” quite a few of those ideas looked a lot less promising. I had initially thought about photographing inside the coastal redwood forest, but when I arrived at my intended location I found that everything was gray, gray, gray! The atmosphere was hazy and murky and high clouds blocked any interesting light from the sun. So figured I might try for something moody along the coast, but there I found the same very difficult light.

I finally headed back up into the Marin hills, hoping that I might get up above the thickest of the gray and possibly get some light filtered through the high clouds and perhaps some longer views. As I entered the Mount Tamalpais State Park and started to ascend the road toward the peak, I finally came out of the coastal fog – though the overhead clouds remained. As I went up this road I looked for spots with some sort of longer view of the fog bank from which I had just emerged, and I finally found it along a bend where the road passed an area of open meadows and rolling hills. Here there was a line of sight back toward the ocean – completely obscured by fog – and the bits of lower hills that were poking through the tops of the clouds. On a technical note, this is not a monochrome or black and white photograph. It is, however, somewhat desaturated. One of the side effects of this difficult atmosphere was a very blue quality to the light that became much more apparent in the photograph than it appeared to a viewer on the scene. I knew I would have to deal with this in post in order to get an effect that seemed appropriate and believable. My initial thinking was to actually make it a black and white photograph, but as I worked with the image I came to feel that it worked better if some degree of muted color was retained.

G Dan Mitchell Photography

Tag Archives: scenic

Shoreline Trees and Mist

Cliffs, Morning Light

Evening Forest, Yosemite Valley

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.