Tag Archives: sea

Storm Surf and Rocky Headlands

“Storm Surf and Rocky Headlands” — Late autumn storm surf and Big Sur headlands

When many people think of California they envision beautiful summer days at the beach, with warm temperatures, bright sunshine, and benign surf. Aside from the fact that it is more likely to be foggy than sunny on a summer day along much of the California coastline, that vision is limited and it misses the most impressive conditions along the coast, namely those found during the wet season extending from late autumn through the end of winter. At this time the coast is the most compelling and impressive, especially when giant Pacific storm fronts roll through and the surf can be large enough to be downright scary.

We had such conditions for a few days this December. Local newscasts warned people to stay away from the coast and off the beaches, since waves up to 40 feet high were expected. Smart Californians do stay off the beaches at times like this, but we certainly don’t stay away from the coast! I headed straight to the upper Big Sur coastline to make photographs. I’ve seen big surf here before, but as I walked out onto headlands above the rocky shoreline south of Carmel and the first big set of waves came in, I’m pretty sure I gasped audibly as they piled up on the shoreline. The biggest waves come in sets of perhaps a half dozen or so, and they raise mist and spray that lingers along the headlands until the next set of big waves arrives.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sea Stacks, Cliffs, Sunset

Sea Stacks, Cliffs, Sunset
Coastal cliffs, sea stacks, and beach reflecting the light of a Northern California Pacific Ocean sunset

Sea Stacks, Cliffs, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

Coastal cliffs, sea stacks, and beach reflecting the light of a Northern California Pacific Ocean sunset

This photograph illustrates — as do so many others! — the many situations in which a photograph is the result of some combination of planning, experience, patience, “seeing,” and just plain good luck. In the morning I had photographed a few hours north of here at Prairie Creek Redwood State Park. As I worked that area, in the back of my mind I was calculating the driving time (plus eating and photographing time) that would put me at a particular spot along the coastline above Fort Bragg a bit before sunset. It is a spot that I have photographed before and one that both challenges and appeals to me. I knew the features of the spot, but there was no way to know what the conditions might be — in fact, I thought there was a pretty good chance that it might be fogged in.

As I approached this area, passing through inland mountains, it was apparent that fog was going to be an issue. Even inland the coastal fog was obscuring the upper slopes. Arriving at the coast I found “blah,” gray light. But there I was, knowing that this would be my last stop of the day, so I thought I might make something work in black and white. Then I noticed something interesting — the fog bank ended in the distance to the northwest right along the coastline, and right along the horizon there was a thin band of glowing, reflecting water. It occurred to me that this thin band would likely expand toward my position as the sun dropped toward the horizon, and that there could be a short period of special light. Before long the glow on the water came closer and the nearby waves began to pick up some sunset color. Then, as the bottom of the sun started to emerge below the edge of the cloud shield, the mist began to glow and the sun’s light came directly at me between the shadows of sea stacks, something can happen only for a few days during a brief interval or two each year… and only on days when the coastal weather conditions permit it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Creosote, Sea Of Dunes

Creosote, Sea Of Dunes
A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

Creosote, Sea Of Dunes. © Copyright 2018 G Dan Mitchell – all rights reserved.

A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

This photograph comes from those moments just before sunrise on the dunes, when there is not yet any direct, intense light. Instead the light is soft and diffused, and blue tones are seen in the distance and in shadows. We had arrived in this area earlier, after perhaps a 20 minute walk that began in near-darkness. This is not necessarily time for slow and contemplative photography — conditions evolve quickly, and I often have to make some fairly quick decisions before the light changes or is gone. Moments after making this photograph, for example, that direct light did arrive from the right, and the scene was completely transformed.

Sand dunes are remarkable and surprising places. I think the first impression for most people is of the sand itself — its extent, its shapes, the variations and texture and color, and (of course!) how difficult it is to walk across it. It is hard to imagine a more perfect canvas for the play of light. The dunes are not intrinsically very colorful, but they do a remarkable job of picking up color and light from their surroundings. Beyond the sand itself, the things that appear in the dunes are also fascinating. A close look reveals evidence of the passage of unseen animals, in spring flower blossoms may collect in hollows, and somehow plants manage to survive and sometimes prosper in this forbidding environment. In Death Valley creosote bushes grow throughout many of the dunes. Some of them can appear almost lush at certain times of the year — with new leaves and many small, yellow flowers. Others, like those on this small hill, seem to be barely hanging on to life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Near-Shore Islands, Clearing Storm

Near-Shore Islands, Clearing Storm
An autumn storm clears above the Pacific Ocean and a group of near-shore islands

Near-Shore Islands, Clearing Storm. North Coast, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn storm clears above the Pacific Ocean and a group of near-shore islands

We were up on the Northern California coast for a few days this past weekend, to celebrate Patty’s big birthday. This meant that the main goals involved drinking wine and enjoying some excellent dinners, and even allowed for more than a bit of sleeping-in, something that landscape photographers typically don’t do.

On this birthday morning we got up late and headed down to the town of Mendocino, perhaps considering a leisurely breakfast, but with no other specific plans in mind. But looking across the bay to the south we saw gigantic surf, clouds, fog, spray, and intense light — and photography distracted us. We traveled out to the edge of the headlands where there is a group of what must have once been coastal bluffs but which are now off-shore islands. The surf roared as the moving clouds cast alternating light and shadow across the seascape and dramatic clouds, some still dropping rain, passed by to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.