Afternoon light reflects on the surface of the Pacific Ocean beyond the Point Reyes lighthouse.
(Some of the following is repeated from a previous post of the same photograph in a color version.) Although our trip to Point Reyes was not primarily to do photography, somehow I ended up bringing back quite a few photographs! This photograph was made from the iconic overlook at “the point” and right above the long stairway down to the historic lighthouse. On this afternoon high clouds were streaming in from the Pacific and casting a mottled pattern of light and shadows on the surface of the Pacific Ocean.
This spot is often completely socked in by clouds and/or extremely windy and cold. However, this was perhaps the most benign afternoon I’ve experienced there. The temperatures were very comfortable – we were a bit too warm on the walk to the point. The sun was out, and the wind was nearly still at times.
I wasn’t certain when I made the exposure of whether it would end up being a black and white or a color photograph. I’m still not sure! I’m sharing the color version first, but a black and white rendition will follow shortly.
Afternoon light reflects on the surface of the Pacific Ocean beyond the Point Reyes lighthouse.
Although our trip to Point Reyes was not primarily to do photography, somehow I ended up bringing back quite a few photographs! This photograph was made from the iconic overlook at “the point” and right above the long stairway down to the historic lighthouse. On this afternoon high clouds were streaming in from the Pacific and casting a mottled pattern of light and shadows on the surface of the Pacific Ocean.
This spot is often completely socked in by clouds and/or extremely windy and cold. However, this was perhaps the most benign afternoon I’ve experienced there. The temperatures were very comfortable – we were a bit too warm on the walk to the point. The sun was out, and the wind was nearly still at times.
I wasn’t certain when I made the exposure of whether it would end up being a black and white or a color photograph. I’m still not sure! I’m sharing the color version first, but a black and white rendition will follow in tomorrow’s post.
Three tule elk grazing on hills above Drakes Beach at Point Reyes National Seashore, California.
This is one more – and possibly the last – in the series of tule elk photographs that I made at the Point Reyes National Seashore on Memorial Day. A group of perhaps eight or ten bull elk were grazing along the top of the hills above Drakes Bay when we encountered them in beautiful late afternoon light. As soon as I got out with my camera they moved just a bit further away, but still well within photography range.
There is a typical sequence in how I usually photograph creatures such as these. Because I never know how long they will stick around, I begin my just shooting them in any way that seems even somewhat interesting, perhaps muttering to myself, “At least I have tule elk shots in my portfolio now!” But after getting a few “insurance” shots right off the bat, I start to be more selective and more observant. Initially, I’m looking for a variety of interesting individual shots. These might include a single animal separate from the group, perhaps the full group, and perhaps sub-groups of two or three. I also pay a lot of attention to their positions, watching to make sure that faces are visible. (In this shot, the leftmost elk is partially obscured, but because his eyes are still visible and because of the way his antlers align with those of the front animal, on balance I don’t think this is a big problem.) I also watch for distracting elements, and may stop shooting if they are present. For example, the rear end of an elk is bright white and, uh, not the most photogenic part of the beast – so I wait until an animal presenting its backside to the camera either moves out of the frame or rotates into a better position.
I also try to think the same way I think when photographing a group of people. Their faces and eyes are the most important things, with the relationships their positions create among them being a very close second. Here two of the elk are looking almost at me, but slightly past my left shoulder. The third animal seems to be looking more toward the other two, creating a different sort of relationship among the animals. These things are so fleeting that I sometimes don’t see them until they have happened, so I have learned to not be conservative about exposing a lot of frames!
To the extent that I have control over such things, I also like to think about the angle of the light on the subjects. Sometimes you have no choice – you simply have to shoot from where you are. However, with these elk I did have some range of options. They were along a road, and I chose to stop a bit before their position because the light coming from the left would light them in a more dramatic and interesting fashion than if I had gotten closer and shot them with the light right behind me. In addition, I try to look beyond the animals themselves and be aware of how they position themselves against background subjects. This particular shot isn’t a great example, but in others I might wait for the moving animals to position themselves in a place where the background elements relate to them in some interesting way.
With all of this detail, you might get the idea that I’m standing there making a series of careful and logical calculations about how to shoot these guys. That’s not really what happens at all. Much of it turns out to happen in a quick and intuitive and almost subconscious manner “in the moment.” I’ve probably written here before about my belief in the important of “practice” (something I learned from my musical background) when it comes to being able to work and see quickly and effectively.
Three pelicans fly along the California Pacific coastline under clearing fog and blue sky.
To my surprise, I got to feed my pelican obsession on Memorial Day. As we drove up the coast north of Santa Cruz, where the road frequently follows the edges of coastal bluffs where they drop off into the Pacific, we started to notice larger than usual groups of pelicans heading north and riding the updrafts next to the cliffs. Having watched these birds many times before, I have learned a bit about their “traffic patterns,” so I suspected that if we went a bit further north to where the road comes down at a beach where a creek enters the ocean that we might encounter the same birds as they, too, dropped down to the water’s edge.
My hunch turned out to be right, and a few minutes after we arrived I caught a glimpse of the distant flock coming around the edge of the bluffs to the south and starting to descend toward the beach. They approached over the edge of the surf, but then turned toward the land as they started to climb again to rise above the next bluff to the north – and for a few seconds I was able to track and photograph them against the thinning fog and blue sky.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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