Tag Archives: seascape

Pacific Ocean, Big Sur

Pacific Ocean, Big Sur
Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Pacific Ocean, Big Sur. © Copyright 2022 G Dan Mitchell.

Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Views like this never fail to make me pause. There’s something about an expanse of “empty” earth, whether liquid or solid, that focuses the attention. It could be standing at the Arctic Circle and looking north (which I’e done only once), viewing expansive desert terrain from a mountain ridge, or looking across the ocean toward the distant horizon from a high viewpoint. I’m not sure I can articulate the attraction precisely, but it includes the immense space, the absence of obvious human presence, and the encounter with deep time in a place that has probably looked like this for what seems like forever.

Perhaps ironically, this particular view is from a spot along the Pacific Coast Highway that can be crowded ruing the high tourist season. However, on this late-autumn weekday morning there was almost no one else around, and I shared this spot with a single cyclist who had stopped for a snack at the top of the climb.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Morning, Big Sur Coast

Autumn Morning, Big SurCoast
Spray and mist glow in morning light along the Big Sur Coast.

Autumn Morning, Big Sur Coast. © Copyright 2022 G Dan Mitchell.

Spray and mist glow in autumn morning light along the Big Sur Coast.

Every time I visit the Big Sur coast — which I’ve been doing for decades — I manage to find something new. Sometimes it is just a different view on something that I’ve seen before — perhaps a different sort of light, unusual conditions of surf or weather, or a slightly different vantage point. Occasionally it is something that I did not know about — an obscure overlook, a juxtaposition of landscape elements, and so forth.

This location falls between those extremes. I have stopped to photograph this general area quite a few times. But there are innumerable little access points and foot paths that head out along the edge of the coastal bluffs, and this time I took one that I’ve seen many times but never followed. It took me to this overlook above a small cove backed by a series of small ridges running down to the waterline, with a taller hill in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Coastal Fog

Clearing Coastal Fog
Morning coastal fog begins to break up over the Pacific Ocean off the California coast.

Clearing Coastal Fog. © Copyright 2022 G Dan Mitchell.

Morning coastal fog begins to break up over the Pacific Ocean off the California coast.

Conditions were both odd… and very normal for June on this recent visit to the Pacific coastline between Santa Cruz and San Francisco. The odd? In some spots the drizzle was heavy enough to almost count as rain, something quite unusual in these parts of California in June. The usual? We have a term for it here: “June Gloom,” when the influence of cooler ocean waters creates a lot of coastal fog, often sufficient to spread inland throughout the Bay Area.

The three things that will usually bring me to the coast to photograph are fog, a storm, and/or high surf. This was obviously a foggy day, and my general strategy is to photograph in the moody, murky fog until it begins to clear. At that point I chase the fog line, where all kinds of wonderful things happen with light and color. The blue of the sky intensifies the color of the water, and the contrasts grow between shaded ocean and the places where it is either still in fog or catching the first sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.