Clouds from a dissipating winter storm above Rat Island and the northern San Francisco Bay
For such a beautiful little island, this place certainly has a nasty name! I have intended to visit this place for a few years now, but had never quite gotten around to it – so I used a San Francisco photowalk devoted to “long exposure photography” as the impetus to finally make it. We had started much earlier in the morning in the Marin Headlands, photographing San Francisco Bay, and at that time a winter weather front was making its way through the area and producing a rather cloudy dawn. Leaving there, the group headed to the small state park where this scene is located. I arrived there before almost anyone else, so I headed to this location and had it to myself for a few minutes.
The previous evening some had been discussing the weather prospects, and I had pointed out that often the most interesting skies come on the heels of awful weather, and this moment serves as an example. An hour earlier and a few miles away, the overcast was thick and gray, but here the trailing edge of the storm was bringing layers of clouds that were thinning and allowing the early morning light through. But this quality of sky and light lasted only a short time, and less than an hour later these beautiful early morning clouds were largely gone.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunset light momentarily illuminates coastal bluffs near Davenport, California
This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.
The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.
However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California.
I made this photograph almost a year ago, from just about the same location as a more recent photograph of this scene that I posted a month or so ago. The location is along the Mendocino County coastline of northern California, a rugged and beautiful section of the state. Here the coast highway travels very close to the water along high bluffs that overlook the Pacific, and this particular cove holds this two-peaked island or sea stack and is backed by receding coastal bluffs that extend out into the water. In the far distance the shoreline to the south curves gently back towards the west, creating a large and very shallow bay.
The personality of this land and seascape changes constantly. On a (rare) completely clear day, the view to the farther shoreline might be easier to make out, but on the many foggy days the foreground scene could well be completely obscured. On this morning, most of the fog had cleared back from the coast, leaving a softly hazy atmosphere that amplified the effects of distance, and the surf was creating low clouds of spray along the coastline.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Point Arena Lighthouse stands atop rugged coastal bluffs along the northern California coast.
I have only visited the Point Arena Lighthouse one other time. This is symptomatic of the fact that I have overlooked the far northern coast of California. I suppose I’ve been too busy with the Sierra and other areas in this state full of visual riches, but since “discovering” the northern coastal areas I have become much more interested in photographing there.
This visit was during the middle of the day and the sky was almost completely clear – not exactly stirring conditions for photographing such a scene. So I spent some time looking at locations and angles and possible composition, at least partly with an eye to returning yet again but during a time of more interesting lighting – this location might be spectacular in the right late day light, and dawn isn’t out of the question.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
