Tag Archives: seepage

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Face

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Red Rock Face
Detail of a sandstone face, Capitol Reef National Park.

Red Rock Face. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a sandstone face, Capitol Reef National Park.

Many times when I have photographed in red rock country I find myself looking for other subjects that work with the sandstone to produce compositions — juxtapositions of features, trees, a bit of sky or clouds, water, light and shadow, and all of the other things that are part of the experience of this Southern Utah landscape. But at times it strikes me that the rock itself can be the entire subject. This is one of those photographs.

These masses of sandstone are remarkable on their own. They may first seem somewhat undifferentiated, but a closer look in the right light — in my view, the shaded light in canyons is ideal — reveals remarkable variations and detail. The color of the rock varies greatly depending upon time of day and, especially, the color of reflected light bouncing between anyone walls. Cracks and imperfections mark the rock even on the smoothest sections. And an infinite variety of markings combine on the surface — internal irregularities, color differences where the surface has been disturbed, and everywhere vertical lines formed by seeping and flowing water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Seepage Stains

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Seepage Stains, Granite
Water seepage stains mark a wall of Cathedral Range granite, Yosemite Naitonal Park

Seepage Stains. Yosemite National Park, California. September 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Water seepage stains mark a wall of Cathedral Range granite, Yosemite National Park

During a week-long stay at a backcountry Yosemite lake my partners and I had plenty of time to explore our surroundings. A day in such a place is a joy, but we had a string of such days, with conditions ranging from Sierra blue sky, through wildfire smoke, to an early seasons autumn storm that dropped rain on us for a couple of days.

Being in one location for so long provides the opportunity to really get to know the place. After a day or so getting to know the main, iconic features, continuing exploration beings to reveal things that we miss at first. Across the valley from our camp was a long and low rock wall, at the base of steeply sloping granite walls and holding somewhat level basin. Not surprisingly, the evidence of water flowing over this wall was obvious, from the lush plant life to the  beautiful water stain patterns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Seepage, Canyon Wall

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Seepage, Canyon Wall
Seepage, Canyon Wall

Seepage, Canyon Wall. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Water seeps across the patterned rocks of a Utah canyon

We began our day’s hike and photography in sage-covered flatlands, where we left our vehicles at the end of a gravel road and soon dropped into a small canyon. The canyon quickly deepened and cut into the flatlands and sandstone walls soon rose around us as we continued. Soon we reached a junction where a stream flowed and we followed the stream, walking in it, along side it, and occasionally leaving it to cross higher ground where the canyon curved. The deeper we traveled into the canyon, the more intimate the landscape became as high walls cut us off completely from the surrounding terrain and bends in the canyon limited our view ahead and behind.

In the area of this photograph the canyon was rock all the way to its bottom, where the small stream flowed along the bottom of the shallow v-shape and water from springs seeped down across the rock, supporting the growth of plants. The water left behind sediments that colored the rock and formed patterns against the curving cracks, seen here in the soft light filtering down from high above, reflecting blue from the open sky and red from the sandstone canyon walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Sky Reflected in Desert Stream

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Morning Sky Reflected in Desert Stream
Morning Sky Reflected in Desert Stream

Morning Sky Reflected in Desert Stream. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of water from a salt spring reflecting cloudy morning sky above Death Valley.

Moments before I made this stark and, I think, desolate photograph of the shallow stream from a salt spring flowing slowly over the flats of Death Valley and reflecting the light from morning clouds, the Panamint Range mountains at the left side of the frame had been briefly lit by colorful sunrise light. But this light lasted only a couple minutes and shortly everything went largely gray.

The patterns of the very shallow and slowly flowing water as they spread out across the flats and reflected the light from the cloud filled sky intrigued me as soon as I arrived at this location. But before I made this photograph I had taken a different approach, positioning the camera down very low and very close to the water so that its reflective surface filled a larger portion of the frame and then lining things up to catch the first light on the Panamints and its reflection. But when that passed so quickly, it seemed like the flat and gray effect could also make an interesting photograph. When I made the exposure I wasn’t quite certain, but I think I was leaning towards a black and white rendition of the scene. Frankly, there wasn’t a lot of color to work with! The sky was mostly clouded over, though there was a hint of faded blue in a few spots. Any color in the Panamints was muted by the distance and haze. The mud is essentially gray and white (where salt has formed) and the water held less color than the sky!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.