Tag Archives: shadow

Photographs: Architecture, Photographs: Urban/Street

Blue and Billboard

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Blue and Billboard
A billboard portrait loomes over urban reisdences.

Blue and Billboard. © Copyright 2021 G Dan Mitchell – all rights reserved.

A billboard portrait loomes over urban reisdences.

Photographs like this one are sometimes a bit difficult to “sell” (in the sense of “persuasion”) to folks who mostly think of me as a “landscape photographer.” There’s a whole lot I could write about this, and I’ll share a little bit of that below, but one reason that I’ve photographed some subjects like this recently is that they are available to me! I carry a camera while out walking, and every so often something catches my eye and I pause to photograph.

In a sense you could think of these photographs as an extension of my landscape photography into the “urban landscape” that I live in. While the subjects seem completely different, there are connections that you might imagine if you think about it a bit. There is also a practical aspect to this kind of photography — it is available to me simply by walking out my front door, unlike the more familiar landscapes that require more travel and logistical preparation. In addition, there are benefits to keeping my seeing skills tuned up by trying to find things to photograph no matter where I am. Beyond that, there are a few things to ponder about regarding the juxtaposition of elements found here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Bend

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Canyon Bend
Contrasting warm and cool colors in a narrow section of a desert canyon.

Canyon Bend. © Copyright 2021 G Dan Mitchell – all rights reserved.

Contrasting warm and cool colors in a narrow section of a desert canyon.

During my hikes up and down this canyon I made quite a few photographs of these lovely narrows. I camped at the mouth of the canyon, and this made it possible to hike up twice — once late in the day and again the next morning. The appearance of a narrow canyon like this one depends so much on the nature of the light, and that was almost completely different during the two visits.

Several things intrigue me about this particular narrows. Sections of it are quite angled, with the wall on one side slanting away and on the other side overhanging the bottom of the canyon substantially. In other words, you don’t look straight up to see the narrow band of sky, but instead you look off to one side a bit. I assume that this is a partially due to erosion following natural lines of weakness in the geology and partly due to the tendency of moving water to undercut a side of the canyon. Of even more interest to a photographer, the color of the light in this canyon and others like it is quite variable. In the darkest section the only light comes from the very blue sky, and the light here is quite blue. (I actually toned it down a bit in the photograph.) However, where the light comes in a bit more directly or perhaps through a wider gap the color is much warmer, as we see on the far wall beyond that gap in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Entering the Narrows

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Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpine Lake Reflections

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Alpine Lake Reflections
Morning light on an alpine lake, a tree-covered peninsula, and a shaded talus slope in the distance.

Alpine Lake Reflections. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on an alpine lake, a tree-covered peninsula, and a shaded talus slope in the distance.

This photograph takes us back to the northern reaches of the Yosemite backcountry, off of a trail that ultimately heads further north and out of the park. We left the main trail in this area and wandered up into a valley with a series of beautiful subalpine and alpine lakes below high ridges and peaks near the Sierra crests. The group set up camp here and photographed for days.

This lovely lake with its far talus-slope shoreline was moments from our campsite; we photographed it often and passed it every time we went off to more distant locations. Perhaps because it was so convenient, but also because it was so beautiful, we often ended up photographing along its shoreline in the morning. I made this photograph shortly after the sun had cleared the ridge on the far side of the lake, sending beautiful backlight down onto the trees on the peninsula.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.