Tag Archives: shadow

Red Strata

Red Strata
Overlapping ridges of red strata in the Utah backcountry.

Red Strata. © Copyright 2021 G Dan Mitchell – all rights reserved.

Overlapping ridges of red strata in the Utah backcountry.

Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.

One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Last Leaves

The Last Leaves
An aspen tree with a few remaining autum leaves, against a cliff face wtih snow.

The Last Leaves. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen trees with a few remaining autumn leaves, against a cliff face with snow.

The Sierra Nevada experience of the past year-and-a-half or so has been… strange. Everything has changed since our world was turned upside down in March of 2020, and my ability to visit and photograph my favorite mountain range has not been an exception. During the first summer we saw many locations simply shut down, and I didn’t really get into the Sierra until the very end of that summer — but only for very brief visits and one aborted pack trip that I had to cancel as a result of the intense wildfire smoke. By last winter I was again able to more comfortably get to non-Sierra locations including Death Valley, where it was possible to work in relative isolation, but the Sierra remained difficult to access. I got up there a few times later in the season, but it wasn’t until this fall that I felt that I was beginning to reconnect with this landscape.

In mid-October we put together an actual road trip. It began with a couple of nights in the Eastern Sierra before continuing on to Southwest Utah, another location that I hadn’t been to in far too long. This brief autumn Sierra visit (which followed another visit a week earlier) was a bit later than usual, and we ended up visiting a few places that I usually overlook… and heading to a few “old friends” even though they were past their prime. I made this photograph in one of those places, a location where the colors are usually spectacular a bit earlier in the season. I knew that wouldn’t be the case this time, so we went there a bit later in the day after photographing more promising morning subjects. We arrived, made a quick stop, and I spotted this small group of trees in the shadow of a cliff. They were nearly at the end of their color transition and most of the leaves were gone, but those that remained glowed in the bit of light arriving over the top of the cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Trees, Owens Valley And The Sierra

Four Trees, Owens Valley And The Sierra
Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Four Trees, Owens Valley And The Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Our recent travels ultimately took us to Utah, but we began with an obligatory visit to the Eastern Sierra Nevada. It doesn’t really seem like autumn until I have renewed my acquaintance with the autumnal transformation of the aspen trees. I had been up there a week earlier, so this was a shorter visit, but it gave us enough time to do a bit of exploring, visiting some spots that we don’t typically visit.

On our final evening before continuing to the east we decided to do a bit of wandering in Owen’s Valley, and our random ride eventually brought us to this spot just as the last sunlight was coming over the Sierra crest and angling across the Valley. We had headed out this direction for an almost entirely unrelated reason, but once there this row of four trees distracted us, and we quickly worked the light before it was gone. (This was one of those landscape-photography-as-action-photography moments — that shadow line was approaching quickly as I made my exposures, and before long the trees were no longer in the sun.) From this vantage point the immensity and abruptness of the eastern escarpment of the Sierra is clear — the wall of peaks, here embellished with a trace of autumn snow, towers above Owens Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Window and Wall in Summer Light

Window and Wall in Summer Light
High summer light falls across the walls of a building with white window frames.

Window and Wall in Summer Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

High summer light falls across the walls of a building with white window frames.

There are still more of the pandemic photographs — the “postcards from pandemia” — that I have made from time to time since our world changed back in March of 2020. During that time I did a lot of urban walking in a several mile radius of my home, and I always carry a camera when I walk. On many walks the camera remained in my bag, but every so often some element of this area would catch my attention and the camera would come out, I’d make a few exposures, and then I’d continue walking.

I’m now not quite certain where this subject is, exactly. The style of construction is common in older neighborhoods around here. One thing that appeals to me about a photograph like this one is that it can be about many different things. On one hand it is a visual record of the urban architecture of a certain time and place. But it also, to me at least, also a little study in composition and forms, mainly rectangles. It also is a kind of minimalism, consisting of really only three colors — the dark windows, the blue wall, and the white window frame. There are two slightly mysterious elements that create visual dissonance for me. One is the diagonal shadow — really the only line in the scene that isn’t a perfect vertical or horizontal — that comes from some unknown and unseen source outside the frame. Another is that slightly dark and mysterious shaded area near the upper left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.