Tag Archives: shadow

Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Shadows, Ponte Dei Carmini

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Shadows, Ponte Dei Carmini
“Shadows, Ponte Dei Carmini” — Light and shadows on buildings at the Ponte Dei Carmini, Venice.

This photograph from Venice embodies many of the features that I expect to see in that part of the world. The Southern European light? Yes. Wrought iron work? Check. Earth tone colors on the buildings? Indeed. Narrow walkways? For sure. Of course, the venetian-style canals — not visible in this photo — are not quite so ubiquitous.

I’ll share a little technical note about this photograph. Cameras cannot really produce a native image that shows us details in both the very bright highlights (direct sunlight) and deep shadows. (Our eyes deal with this by quickly adapting to the brightness at the center of our attention.) So with digital photography our first priority is to protect those bright highlights — let them get out of control and you’ll lose highlight details completely. The subsequent post-processing task is then to brighten details in the shadows to restore what we think we saw when we looked at the scene. The trick is to do that in a manner that doesn’t give it away, one that doesn’t make the technique too obvious

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Rectangular

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Color and Light Patterns
“Rectangular” — Patterns of color and light on an urban building, San Jose, California.

This photograph ties in with a couple of aspects of my photographic practice. I’ve always been fascinated by patterns, shapes, colors, and textures in the abstract. I think this is present even in photographs of mine that are not as clearly geometric as this one. In addition, I often photograph things that might seem mundane — every day places and objects.

Connected to that last point, I often carry a camera with me when I go out for non-photography purposes. I walk a lot — often miles every day. And I virtually never head out on a walk without a camera. Most often it stays in the bag and I don’t make any photographs. But every so often I see an interesting subject and, having the camera with me, I make photographs.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Window with Wrought Iron

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Window with Wrought Iron
“Window with Wrought Iron” — Wroght iron casts a shadow below a window in Casals de Loivos, Portugal.

I photographed this window on the morning we departed Casals de Loivos on the final day of our one-week walk in the hills and vineyards of Portugal’s Douro Valley region. We took a brief walk thought this small village before walking the steep trail downhill to Pinhão, where this segment of our trip would end.

Our arrival in Casals de Loivos was a spectacular conclusion to the walk. We stayed at an inn with a terrace overlooking the Douro Valley and the winding Douro River far below. This window, with its wrought iron grate and fascinating shadows seems to me to capture one of the kinds of light we saw here — bright, brilliant, high angle light that somehow manages to not be harsh despite being intense.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Morning Shadows and Symmetry

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Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.