Tag Archives: shadow

Dawn Clouds, Death Valley

Dawn Clouds, Death Valley
“Dawn Clouds, Death Valley” — Colorful dawn clouds above Death Valley and the Panamint Mountains.

The camera position for this photograph was a high point in the Panamint Range of Death Valley National Park. We arrived before sunrise, when the sky was just beginning to take on dawn colors, and the clouds were becoming blood red. There are few colors in nature that are as intense… and as difficult to photograph, at least if you want the photograph to suggest what you saw when you were there.

To my way of thinking, after a few decades of visiting and photographing the place, the most interesting locations in this park are not the most popular ones. They are off in odd, sometimes distant corners of the region. You may have to deal with a few adversities getting to them. (One winter I was turned back from this location by snow.) But the rewards are worth it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Cliffs and Trees

Red Cliffs and Trees
“Red Cliffs and Trees” — Kolob Canyon red sandstone walls in morning light and shadow, Zion National Park.

There are plenty of people whose knowledge of the red rock sandstone formations of the Southwest exceeds mine. But I have observed tremendous variations in these rocks as I photographed in Utah. The rock generally comes in layers that vary significantly in color and texture. Sometimes they are thick, uniform, and massive. In other locations they are filled with textured sub-layers and contain curves and cracks.

The example in this photograph is one of those massive, solid layers. This cliff is in Zion National Park’s slightly-more-remote Kolob Canyon. It is in a location where you can get quite close to this impressive layer. I made the photograph on a morning with a bit of haze. The position of the sun in front and to the right of the camera produced rim light on the cliff’s edges.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

The Shadow’s Edge

The Shadow's Edge
“The Shadow’s Edge” — The shadow from Yosemite Valley cliffs moves across autumn oak trees.

I photograph in this meadow during nearly every visit to Yosemite Valley. The big oak trees are the stars for the most part — though it is hard to ignore the impressive mass of El Capitan rising behind you. The autumn foliage on these trees turns golden-brown before falling, and it can glow luminously when backlit.

The light is key to photographing here. Because this part of the valley is narrow and because tall cliffs rise on either side, the amount of direct sunlight is limited. Shadows traverse this meadow in the morning and the afternoon, and there’s interesting lighting along the margins of the shadows. Here you can see the line of shadow along the right side of the frame. Moments after I made the photograph the shadows fully enveloped these trees.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Lakeside Meadow, Boulders, and Trees

Lakeside Meadow, Bourlders, and Trees
“Lakeside Meadow, Boulders, and Trees” — Before the sun arrives, a scene at the shore of a subalpine Sierra Nevada lake with meadow, boulders, and trees.

The Sierra Nevada is a place of diverse terrain — rugged alpine ridges and summits, gentle meadows, both dense and open forests, streams and rivers, and more. But my favorite places are mostly like this one, where the last trees are about to give way to barren alpine country, and where meadows, running water, and lakes are plentiful.

This scene is typical of that region. It is along the shoreline of a moderate-sized lake at just over 10,000′ of elevation. Away from the meadow and the lake, forests of good-sized lodgepole pines grow, but here in the open it is all about the light, meadows, rocks, sparse trees, and water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.