Tag Archives: shadow

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Cliffs and Trees

Image December 3, 2025 G Dan Mitchell Leave a comment

There are plenty of people whose knowledge of the red rock sandstone formations of the Southwest exceeds mine. But I have observed tremendous variations in these rocks as I photographed in Utah. The rock generally comes in layers that vary significantly in color and texture. Sometimes they are thick, uniform, and massive. In other locations they are filled with textured sub-layers and contain curves and cracks.

The example in this photograph is one of those massive, solid layers. This cliff is in Zion National Park’s slightly-more-remote Kolob Canyon. It is in a location where you can get quite close to this impressive layer. I made the photograph on a morning with a bit of haze. The position of the sun in front and to the right of the camera produced rim light on the cliff’s edges.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

The Shadow’s Edge

Image November 27, 2025 G Dan Mitchell Leave a comment

I photograph in this meadow during nearly every visit to Yosemite Valley. The big oak trees are the stars for the most part — though it is hard to ignore the impressive mass of El Capitan rising behind you. The autumn foliage on these trees turns golden-brown before falling, and it can glow luminously when backlit.

The light is key to photographing here. Because this part of the valley is narrow and because tall cliffs rise on either side, the amount of direct sunlight is limited. Shadows traverse this meadow in the morning and the afternoon, and there’s interesting lighting along the margins of the shadows. Here you can see the line of shadow along the right side of the frame. Moments after I made the photograph the shadows fully enveloped these trees.

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Photographs: Nature, Photographs: Sierra Nevada

Lakeside Meadow, Boulders, and Trees

Image October 26, 2025 G Dan Mitchell Leave a comment

Lakeside Meadow, Bourlders, and Trees — “Lakeside Meadow, Boulders, and Trees” — Before the sun arrives, a scene at the shore of a subalpine Sierra Nevada lake with meadow, boulders, and trees.

The Sierra Nevada is a place of diverse terrain — rugged alpine ridges and summits, gentle meadows, both dense and open forests, streams and rivers, and more. But my favorite places are mostly like this one, where the last trees are about to give way to barren alpine country, and where meadows, running water, and lakes are plentiful.

This scene is typical of that region. It is along the shoreline of a moderate-sized lake at just over 10,000′ of elevation. Away from the meadow and the lake, forests of good-sized lodgepole pines grow, but here in the open it is all about the light, meadows, rocks, sparse trees, and water.

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Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Shadows, Ponte Dei Carmini

Image September 27, 2025 G Dan Mitchell Leave a comment

This photograph from Venice embodies many of the features that I expect to see in that part of the world. The Southern European light? Yes. Wrought iron work? Check. Earth tone colors on the buildings? Indeed. Narrow walkways? For sure. Of course, the venetian-style canals — not visible in this photo — are not quite so ubiquitous.

I’ll share a little technical note about this photograph. Cameras cannot really produce a native image that shows us details in both the very bright highlights (direct sunlight) and deep shadows. (Our eyes deal with this by quickly adapting to the brightness at the center of our attention.) So with digital photography our first priority is to protect those bright highlights — let them get out of control and you’ll lose highlight details completely. The subsequent post-processing task is then to brighten details in the shadows to restore what we think we saw when we looked at the scene. The trick is to do that in a manner that doesn’t give it away, one that doesn’t make the technique too obvious