Tag Archives: shadows

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens and Sage Brush, Evening

October 25, 2016 G Dan Mitchell Leave a comment

High desert aspen groves on sage-covered eastern Sierra hills

I’m continuing with one more characteristic eastern Sierra autumn photograph, though perhaps not the most common sort of view of the subject. The photograph does include some small groves of aspen trees in fall colors, but they are dwarfed by the immense scale of the rolling eastern Sierra foothills, covered by high desert sage brush, and cut with valleys containing creeks draining the eastern slopes of the range. I made this photograph in the early evening, just before sunset, as the low angle sun was sweeping across the crest and casting light and shadow almost parallel to the slope of the hills.

We usually look for fall aspen color in country that is higher and/or wetter — often somewhere up one of the great eastern Sierra canyons or perhaps along a ridge near the crest. But aspens grow in many places, some of which are unexpected or even surprising. They grow a good distance from the Sierra itself, sometimes far out in the high desert, and in areas that hardly seem alpine at all. Sometimes these are smaller trees, seeming to get by on less water and perhaps in a harsher climate, but occasionally they manage to form decent sized groves.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Shadows, Sierra Crest

October 7, 2016 G Dan Mitchell Leave a comment

Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Earlier I had photographed in the large meadows along the Dana Fork of the Tuolumne, just below Tioga Pass, continuing to work until the sun dropped behind the long and tall ridge to the west. As I walked back toward my vehicle through the soft light of the shadows, the surrounding peaks were still in full sun. I started thinking about putting a very long lens on the camera and photographing the last light when if finally got to these peaks and ridges.

It took a while! This meadow area loses the light early, so even though I lingered there after the direct sun was gone, I still had quite a while to wait before sunset. The intense coloration of the arctic zone peaks comes from two sources. This section of the Sierra is topped by much older rocks — not granite but very reddish-brownish rocks. By the time I made this photograph the sun was very close to the horizon and the color of the light had warmed considerable, adding even more intense color to the rocks. (Inspecting the image file very closely I learned something new — there is a faint trail traversing the upper slopes of the ridge at the left!)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

June 12, 2016 G Dan Mitchell Leave a comment

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Chairs and Dappled Sunlight

May 22, 2016 G Dan Mitchell Leave a comment

A small brick-paved urban square in dappled sunlight

I have my reasons for photographing in urban environments, even though that might seem like an odd passion for someone who photographs nature and landscapes. The same attractions of form and light and texture and juxtaposition are found in both places, though the urban environment encourages me to photograph in a different way. Here I don’t use a tripod, and I often make photographs very quickly and instinctively, since the subjects are so transitory and it is a matter of photograph it now or never. Even a seemingly static and quiet scene like this one only lasts a moment before people again walk through the scene. If nothing else, it is an intense exercise in seeing.

The area of where I made this photograph is, despite the appearance, a very busy and noise place along San Francisco’s Market Street, a place where there are throngs of people and where traffic noise can be oppressive. Yet at times the crowds part and the scene can be almost empty. And there is often quite beautiful light — it comes from all angles as it reflects back and forth among the glassy surfaces of tall buildings, and at street level in some places the light can fill the scene from almost all possible directions.

G Dan Mitchell Photography

Tag Archives: shadows

Aspens and Sage Brush, Evening

Evening Shadows, Sierra Crest

Shadow and Line Study

Chairs and Dappled Sunlight

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.