Tag Archives: shore

Photographs: Nature, Photographs: Ocean & Coast

Pacific Shoreline, Point Reyes

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Pacific Shoreline, Point Reyes
Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

Pacific Shoreline, Point Reyes. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rugged Pacific Ocean coastline at the furthest end of Point Reyes.

This photograph is literally of “Point Reyes,” as in the actual “point” after which the national seashore is named. It is a remarkable location in many ways. This peninsula extends a good distance out into the Pacific Ocean, and it forms a large bay that is protected from the ocean to the west and north. From the Point you can see south to San Francisco Bay, a good distance north along the Pacific coastline, eastward across that bay toward what would be the coast in most locations, and westward to the horizon. This section runs east-west, and its features echo those along the most rugged sections of the main Pacific coastline. But this section is short, exerting only the length of the end of the Point, and it runs not north-south. but east west.

During the past four months of the pandemic I have not ventured too far from our location in the San Francisco Bay Area, largely because such travels have been discouraged. But I’m beginning to think that I could again safely (for myself and others) venture out to the coast for some new photography before long. Stay tuned…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Shoreline Bench, Reflections

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Shoreline Bench, Reflections
A rocky bench above the reflecting surface of an alpine Sierra Nevada lake

Shoreline Bench, Reflections. © Copyright 2019 G Dan Mitchell – all rights reserved.

A rocky bench above the reflecting surface of an alpine Sierra Nevada lake.

Since roughly August of 2005 I have been posting a daily new photograph at my website (https://gdanmitchell.com) and on social media, almost always accompanied by a couple of paragraphs of background. Yes, that is 14 years of daily photograph posts at this site! That’s more than 5000 photograph posts as of the date of this on. I’ve done this for several reasons. First, it is a form of daily practice — the importance of which I learned about in my other life in the world of music. Second, I hope that revealing my working process and thinking about photographs may be useful to others trying to make sense of this medium.

This does mean that — obviously! — you’ll see more than one way of seeing a particular subject since I share this editing process here. Today’s photograph — from my recent weeklong shoot in the Eastern Sierra backcountry — is an example of this in at least a couple of ways. First of all, I recently shared another photograph of this same subject that interpreted it in a different way. (That photograph took a closer look at it — this one includes more of the surrounding visual context.) Secondly, if you scroll back to that other version, you may discover that I shared two examples of that one with different crops.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Peaks and Lake Shore

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Peaks and Lake ShorePeaks and Lake Shore
Sierra Nevada peaks tower about a rock-line alpine lake.

Peaks and Lake Shore. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sierra Nevada peaks tower about a rock-line alpine lake.

True confession time — my “photographic core” is and probably always has been black and white photography. Today the majority of my photographs are in color, and I love working whit color images. But I began with black and white, way back when I was just a kid using a cheapie camera on family vacations. Later my father took me into his home darkroom and I learned to make prints, black and white essentially by necessity in those days. My early photographic heroes were almost all black and white photographers.

All of that is by way of explaining the inclusion of this black and white photograph among all of the other color photographs from this trip, a one-week backcountry visit in the Eastern Sierra Nevada. We looked at this scene daily — it was only steps from my tent — and over the week we got to know its details and its moods well. I made this photograph late in the day, as shadows lengthened across the low, rocky saddle, and the more distant peaks lost most of their sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Reflections, Rocky Shoreline*

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Reflections, Rocky Shoreline
“Reflections, Rocky Shoreline” — Huge rocky slabs meet the shoreline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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