Tag Archives: sierra

Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass
Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass. Sierra Nevada Foothills, California. August 25, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening

We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.

The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mono Lake Sky

Mono Lake Sky
Mono Lake Sky

Mono Lake Sky. Mono Lake, California. August 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Afternoon thunderstorms develop over the eastern Sierra Nevada and Mono Lake

I think that many people are initially drawn to Mono Lake by the famous and often photographed tufa tower formations, and I have certainly sought out and photographed that subject quite a few times. But the more I go there the less I’m interested primarily in the tufas, and the more I find myself drawn to and thinking about other things. These include the immense space and deep quite surrounding the lake, broken by the cries of birds, especially when you visit at the quietest time around dawn. I also am drawn to the sky above this lake – which is often, frankly, rather barren, but when filled with the right kind of clouds can almost be the subject itself.

But only almost, so in this photograph I decided to include a thin strip of the reflecting water of the lake along with the darker formation of Black Point and the hills rising beyond in order to anchor that sky to something solid. This was one of those afternoons when thunder storms were trying to develop, but couldn’t quite build sufficiently before sundown. But this still left some very spectacular clouds, especially where updrafts pushed their tops high into the light. I suppose that there are several reasons that I chose to make this a black and white photograph, but one very practical reason was that the lower reaches of the atmosphere were a bit brown from a nearby wildfire, and I could better adapt to that in monochrome.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Grazing Deer, Ragged Peak

Grazing Deer, Ragged Peak
Grazing Deer, Ragged Peak

Grazing Deer, Ragged Peak. Yosemite National Park, California. August 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of deer graze in Tuolumne Meadows near sunset beneath the summit of distant Ragged Peak

Perhaps I’ve simply missed this in the past, but on this early August trip to the Tuolumne Meadows area I saw a herd of deer grazing in the meadow in the evening that was larger than any I have encountered before. I’ve often seen small groups of perhaps a half-dozen or so there, but this group had at least two dozen individuals on the two evenings I was there. Many were bucks with antlers, but there were also some very young and very frisky critters among them, including one who seemed to be the ringleader of periodic high-speed races back and forth across the meadow. While waiting for interesting light for photographing other subjects (and that light is just beginning to appear on the dome behind the meadow) I spent some time with the long lens photographing them.

There are, of course, quite a few ways to photograph wildlife, ranging from what amount to intimate and close-up portraits to photographs that show the animals in their landscape – with the latter verging on “landscape with animals,” a different thing than much wildlife photography. I like doing both, but here I was thinking a lot more about photographing the animals in their world. This affected my approach in a couple of perhaps obvious ways. First, while I could have gotten quite a bit closer with the long lens I was using, I hung back so that I could include more than one deer in the frame, include more of the surrounding landscape, and not intrude to closely on the deer. Second, as soon as I had clicked of a first “insurance shot” of the animals, I stopped and looked at the landscape in order to find things that I could align with the deer. In this case, I was able to move some distance to one side and get a group to line up with the low dome (which, lucky for me, got hit with a bit of soft evening sunlight at the right moment!) and the distant ridge holding Ragged Peak, an area that I know quite well from many pack trips into nearby areas.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.