Tag Archives: sierra

Photographs: Nature, Photographs: Sierra Nevada

After the Storm

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After the Storm
“After the Storm” — Brilliantly colorful clouds above the Eastern Sierra as a summer storm clears at sunset.

Every so often, if you are out in the field enough, nature serves up light and color that can seem almost unreal. These exceptional moments are rare, but they are memorable when they happen. Sometimes they are predictable, but more often they seem to emerge from conditions that don’t seem likely to lead to extraordinary light — the cloudy aftermath of clearing storms, thin clouds that dissipate at sunset to reveal the sky beyond, beams of light that sneak in under a cloud deck. This was one of those times.

After more than twenty-four hours of mostly rainy conditions, the precipitation stopped and the clouds thinned a bit… and we photographers headed out to see what we could find. At first, the conditions were not promising. Low clouds obscured peaks and the light was a bit flat. But before long the clouds began to thin behind peaks to our west, and there was hope that some light might come through. And then, just at sunset — as the sun dropped below the edge of the cloud deck far to the west — the clouds began to glow in shades of red and orange, against a background of darker clouds. and deepening blue sky. I made several photographs of the landscape that included the clouds, but in this one I decided to just let the clouds be the full show.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Nature, Photographs: Sierra Nevada

Post-Storm Clouds

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Post-Storm Clouds
“Post-Storm Clouds” — A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

No, I am still not quite finished with this spectacular evening in the Sierra backcountry. In early August our group spent a week base-camped in the wilderness, heading out each day (starting before sunrise and concluding after dark) to photograph our spectacular surroundings. We experienced challenging weather during the first 24 hours, but on the evening of the second day the storm dissipated, and just at sunset things opened up and alpenglow briefly lit up the sky.

There was no guarantee of this happening — which is often the case when chasing such subjects. Not long before this things were pretty gray, and fog drifted just overhead, obscuring trees and peaks, al though we could see that the sky was lightening up a bit. Then a bit of pink showed up on the higher clouds, gradually working its way down though the various layers left by the departing storm. I had been photographing the fog, but I quickly turned my attention to this developing scene! As the sky became more and more colorful, a bank of lighter fog enveloped the top of a ridge on the other side of the valley beyond the lake. A few minutes after this spectacular finale… the show was over.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Morning Shoreline

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Morning Shoreline
Early morning light on the shoreline of a subalpine Sierra Nevada lake.

Morning Shoreline. © Copyright 2022 G Dan Mitchell.

Early morning light on the shoreline of a subalpine Sierra Nevada lake.

There is a lot to see along the edges of virtually any backcountry Sierra Nevada lake. As I go though my mental inventory from many past trips I think of mornings and evenings looking straight into low sunlight, campsites (from back in the days when we still thought it was OK to camp near the water), hours spent sitting quietly among rocks and plants, slow circumnavigations of lakes, the marshy areas near inlets and outlets, the mountains rising above them, and more. We spent a week at this lake, which gave me a chance to see it in almost all of its moods.

This particular location has some significance to me. In a previous time, it was still acceptable to camp on the top of the rocky ledge at the left, and it was our “go to” spot to set up tents and bivy sacks back then. These days, the authorities have (wisely) placed that spot off limits for camping — too close to the water, too likely that colorful tents draw attention, and too little area. But we can still visit, and on this trip I used the spot to get an elevated perspective on the lake. I made this photograph in the morning, as the first direct light of the day was working its way across the landscape. Although the nearby face was still almost entirely in shadow, the further trees were catching that morning sun.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

The Ridges Beyond

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The Ridges Beyond
“The Ridges Beyond” — A series of Eastern Sierra ridges leads to the east beyond a backcountry lake in morning light.

Because variations on this particular scene comprise a significant portion of the photographs I made during our August Sierra backcountry sojourn I have been trying to release them somewhat gradually. However, even though I shared a quite different version of the view from this camera position just a few days ago, here’s another. This one is, obviously, a near-panorama rendition that takes in the far edge of “our” little lake, its outlet, surrounding ridges, the more distant scene, and some beautiful morning clouds. The whole scene is softened by a bit of backlit morning haze.

Sometimes I’m immediately certain of what a photograph will look like as I make the exposure. But other times I’m less sure and I reserve judgment, perhaps making multiple exposures that will work for any of several possible directions I might take with the subject. That was the case with this scene — multiple “takes” were required not only for that reason but also to ensure that I’d be able to work with some rather extreme light contrasts between the shadowed foreground and the very bright clouds and sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.