Tag Archives: silhouette

Row of Trees, Evening

Row of Trees, Evening - A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.
A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

Row of Trees, Evening. Central Valley, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

While photographing migratory birds in early February at the Merced National Wildlife Refuge in California’s Central Valley, just before sunset there was a lull in the “bird action,” and I realized that I had neglected to photograph much of anything besides the birds. With this in mind, I left the edge of the ponds where we had been shooting, and I took a short walk along a nearby trail that went out into some brushy areas that generally seemed sort of nondescript. Except… I’m fascinated by brushy, scrubby trees and brush and I’m always challenged when it comes to thinking about how to make photographic sense of this subject. In the right light the shapes and subtle colors can be quite interesting, but it can also be tricky to find a composition in the dense growth.

As I walked I passed along a small pond, and at first I noticed the reflection of a tree whose trunk was branching out in many different directions and its mirrored image in the water. Then I saw this row of barren trees, which I assume might have been planted along the levee as some sort of wind break. Their straight forms were tall and parallel, except that here and there this orderly form was broken up by a trunk or branch pointing off in some odd direction and creating a bit of visual dissonance. Since it was the lens I already had on the camera for photographing birds, I made this landscape photo with what might seem to be the least likely of landscape lenses, a 100-400mm zoom!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fennel, Distant Birds, Morning

Fennel, Distant Birds, Morning - Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.
Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.

Fennel, Distant Birds, Morning. Central Valley, California. January 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.

If you don’t look closely, fennel is a pretty nondescript plant, especially during the dry season when it more or less goes dormant and consists mostly of dry twigs and branches and a few dry seeds. I never paid much attention to it at all when I was younger, despite spending a lot of time in the California outdoors, where the plant is very common. I think the first time that I actually noticed it was some years ago when I was surprised to smell the familiar fragrance of anise (as in licorice) while hiking or running along a local trail. I stopped and noticed the familiar seeds that I had used in cooking, picked a few, crushed them, and noticed that powerful smell. (There is a group of plants found in outdoor California that often cause me to stop and engage in this ritual of picking a leaf or seed, crushing it, and enjoying the scent: fennel, bay/laurel, sage…)

True to form, I wasn’t really paying much attention to these plants growing along the boundary between a Central Valley road and a flooded field where I had stopped to make photographs of migratory birds in late January. It may actually be the case that I only really “saw” them when my camera’s AF system “incorrectly” locked focus on the plants instead of more distant subjects! But this shot was not an accident. At this point I had noticed the plants and they became the subject, with relief from cross light from the rising sun and against the background of hazy early morning sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Owls, Trees and Ponds, Dusk

Two Owls, Trees and Ponds, Dusk  - Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge
Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge

Two Owls, Trees and Ponds, Dusk. Merced National Wildlife Refuge, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge.

I originally posted this in an impromptu manner and out of sequence back on SuperB owl Sunday – but now it comes up “officially” in the queue. At the very end of a winter day that had begun well before dawn back up the Central Valley closer to Sacramento (in the Cosumnes River area, to be precise) we had headed south to Merced National Wildlife Refuge in search of somewhat different subject for the evening. We arrived to find some geese on the pond, but most were a bit too far off for good photography. But while we settled in to wait for whatever else might show up, I turned my attention to the beautiful and wide-open Central Valley landscape.

This little group of trees grows on a small levee between a couple of ponds in this agricultural area. (Over the past few weeks I have come to know this exact spot very well, as I have been back three times now to photograph there, with better and better luck each time.) After the sun set, some of the most beautiful light appeared – the soft and pink/purple/blue atmospheric light of dusk, when there is still some brighter color in the sky. I saw a single bird high in one of the branches of this tree and soon figured out it was an owl. I set up a composition that centered the tree – creating, I hope, a sense of quiet and stillness – and which included a bit of the sky and the beautiful reflection of the tree’s silhouette in the water. As I shot, a second owl showed up for a few seconds and I was able to get a frame with the couple together.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Migratory Birds in Twilight, Central Valley

Migratory Birds in Twilight, Central Valley - Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.
Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.

Migratory Birds in Twilight, Central Valley. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.