Tag Archives: sky

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Pool, Panamint Range, Morning

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Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Seven Sandhill Cranes in Flight

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Seven Sandhill Cranes in Flight
Seven Sandhill Cranes in Flight

Seven Sandhill Cranes in Flight. Merced National Wildlife Reserve, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

Panoramic photograph of seven sandhill cranes in flight above the Merced National Wildlife Area against a sky full of clearing evening storm clouds.

As I wrote when I posted the first in this series recently, on my return drive from Death Valley to the San Francisco Bay Area I realized that I had enough time to stop at the Merced National Wildlife Reserve just before sunset, so I altered my route so that I could drive out on Sandy Mush Road (I still love writing that road name!) to the Reserve and do a little bit of photography. Although I’ve done a bit of wildlife photography, it isn’t my main thing and this is the first year that I’ve headed out to the migratory bird areas of California’s Great Central Valley – so this is a relatively new experience for me.

I had seen video and photographs of the morning “fly out” and evening “fly in” at several locations in the Valley and was hoping that I might get to witness something like this. That didn’t happen, though at one point I saw and heard the event taking place at pond a ways north of the road I had stopped on. I’m getting the impression that this experiences probably requires some persistence and repeat visits. However, I did find a field that was filled with scores of sandhill cranes. I quietly stopped my car, grabbed the camera with a long lens, and got out on the side away from the field and watched quietly. Even these attempts at quiet weren’t enough as the birds began to edge a ways away from the roadside edge of the field before they quieted again and went about their business.

Before long a few small groups began to take flight. I was fortunate that a storm had just passed through and the remnant clouds were beginning to clear in the west, both providing a dramatic background in that direction and allowing a bit of colorful light to strike clouds directly above and to my east. This brings up an observation about photographing birds – admittedly from a photographer who isn’t quite an expert on this but who likes to try to learn… thinking about what is behind and around the birds is often as important as getting the birds themselves into the frame. I like to say that in this series I was thinking about the clouds almost as much as I was thinking about the birds. As I continue to practice and learn how to photograph these animals in flight, I find that I can begin to simultaneously think about keeping them framed in the viewfinder in interesting ways and remain aware of what else is in the frame as I pan.

Special thanks to my friend Tom Clifton for helping me identify some of the other birds I photographed on this visit.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EOS 5D Mark II (at B&H)
Canon EF 100-400mm f/4.5-5.6 L IS USM at 400mm (at B&H)
ISO 400, f/5.6, 1/3200 second

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Sky Reflected in Desert Stream

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Morning Sky Reflected in Desert Stream
Morning Sky Reflected in Desert Stream

Morning Sky Reflected in Desert Stream. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of water from a salt spring reflecting cloudy morning sky above Death Valley.

Moments before I made this stark and, I think, desolate photograph of the shallow stream from a salt spring flowing slowly over the flats of Death Valley and reflecting the light from morning clouds, the Panamint Range mountains at the left side of the frame had been briefly lit by colorful sunrise light. But this light lasted only a couple minutes and shortly everything went largely gray.

The patterns of the very shallow and slowly flowing water as they spread out across the flats and reflected the light from the cloud filled sky intrigued me as soon as I arrived at this location. But before I made this photograph I had taken a different approach, positioning the camera down very low and very close to the water so that its reflective surface filled a larger portion of the frame and then lining things up to catch the first light on the Panamints and its reflection. But when that passed so quickly, it seemed like the flat and gray effect could also make an interesting photograph. When I made the exposure I wasn’t quite certain, but I think I was leaning towards a black and white rendition of the scene. Frankly, there wasn’t a lot of color to work with! The sky was mostly clouded over, though there was a hint of faded blue in a few spots. Any color in the Panamints was muted by the distance and haze. The mud is essentially gray and white (where salt has formed) and the water held less color than the sky!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Sandhill Cranes in Flight, Evening

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Sandhill Cranes in Flight, Evening
Sandhill Cranes in Flight, Evening

Sandhill Cranes in Flight, Evening. Merced National Wildlife Area, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

Five sandhill cranes take flight above the Merced National Wildlife Area in evening light.

Migratory birds have always been a subject that I’ve been aware of, but that I haven’t really paid enough attention to. Intellectually I know of their amazing travels between arctic and more temperate regions and I had heard about their appearance in California each winter season. I recall one magical evening a few years back when I began a long drive from the San Francisco Bay Area to Seattle late on a winter day, and as I travelled up the Sacramento Valley at twilight I saw huge flocks of birds and thought that I’d like to try to photograph this scene. I’ve seen and photographed a few interesting birds such as egrets and pelicans. But I somehow managed to mostly remain uninformed about their presence not far from where I live.

This season several things came together, seemingly by chance, to encourage me to actually make the effort to get out into California’s Great Central Valley to see (and hear!) the birds. The first was a chance meeting with one of my colleagues in front of the college espresso stand one morning. We were having a casual conversation and she mentioned that she had been out in the Cosumnes River area looking for birds recently. We talked a bit more and I asked her for more information. Being a librarian, she provided me with lots of information, including details of how to find some interesting places out there. A day or two later I found my way out to that part of the Valley and saw, for the first time close-up, the flocks of winter birds… and I was hooked. Within a few weeks I saw posts on the Chuq 3.0 blog where Chuq wrote about his photography of these birds. Then I saw a couple videos at Michael Frye’s blog that captured the “fly in” and “fly out” phases at the Merced National Wildlife Area. (This place is located out on a road that has to have my all-time favorite Central Valley road name: Sandy Mush Road ;-)

Fast forward a week or two and I was returning from shooting for four days in Death Valley, and driving into the Central Valley near Bakersfield. I looked at my watch and realized that I could probably make a small detour and be at the Merced National Wildlife Area before sunset. So I headed up highway 99 (rather than the more usual route up highway 5), found the turn off to Sandy Mush Road, and arrived at the area an hour or so before sunset on an evening when the clouds from a departing cold front lingered. I basically had no idea where I was going, since I had done literally no prior research other than finding the location via my iPhone. As I arrived in the general area I found a large field filled with what seemed like several hundred sandhill cranes. Slowly and quietly I stopped my car and got out on the side away from the birds and began to watch. I never did get to see the fly-in up close (though I could see a huge cloud of birds landing at a pond north of my position) but some of these cranes did depart from time to time, and I was able to photograph this group of the magnificent birds against the clouds in the western sky.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.