Evening light through diffused clouds illuminates the stratified and eroded formations of Cedar Breaks, Utah
Since I’ve posted on this scene previously – along with a landscape mode presentation of a similar scene – I’ll keep this one short. This photograph was made in the slightly post-sunset light on an evening when the light was softened by clouds. A smattering of trees grows in the few areas among the cliffs and hoodoos where there is apparently enough of the right kind of soil – most of this terrain is devoid of large plants.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.
I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.
I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.
About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.
All of this is my way of saying to take my observations with a suitable dose of salt. :-)
Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.
This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.
Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.
But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)
What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.
More articles on Eastern Sierra aspen photography:
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
White arrows and a yellow line painted on a parking lot driveway, Seattle, Washington.
Another in the series of photographs of urban forms, shot in Seattle in early May. The story, and this isn’t the first time that I’ve mentioned it, is that I had a free hour during a visit to Seattle. I found out that there was a “Seattle Photo Walk” going on in the Fremont District, which I think I may have passed through before but where I had never photographed – so I met up with the group and spent an hour wandering around in the Fremont area.
I made quite a few photographs during that short time, and near the end of my hour I crossed back into Fremont by walking across a bridge, and this bridge turned out to figure in several photographs, either as a subject or as a vantage point. In this photograph it is merely the vantage point, as I shot into this driveway leading to an underground parking area while walking across the bridge. The opposing arrows were an obvious interest, but I also was intrigued by the single yellow line cutting through the scene and the overall concrete grayness of this spot.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A winding sandstone canyon willed with trees, Zion National Park, Utah.
This photograph was definitely not shot in “golden hour” light! Although it was afternoon, the sun was still high in the sky, and that sky was a somewhat unattractive washed out light blue color. In order to not allow that quality to take over the image, I composed this scene to completely exclude sky and also to minimize the inclusion of more distant features that would show the effect of the haze. I did include a bit of it at the upper right, since that serves to give the image some amount of depth.
The area is in the “high country” of Zion National Park along the Mt. Carmel highway. This road passes to the east across and then out of the park, climbing (through an exciting but, in some ways, unfortunate tunnel in the sandstone) out of the Virgin River area of the main Zion Canyon to pass through the dome-filled, river cut highlands. I shot toward the sun here, to be able to include the beautiful shaded cliff walls, and I tried to find a composition that would show the twisting course of the creek that winds down this canyon.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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