Tag Archives: snag

Forest, Tarn, and Granite

Forest, Tarn, and Granite - Sierra forest and granite reflected in the surface of a small tarn, Yosemite National Park.
Sierra forest and granite reflected in the surface of a small tarn, Yosemite National Park.

Forest, Tarn, and Granite. Yosemite National Park, California. July 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sierra forest and granite reflected in the surface of a small tarn, Yosemite National Park.

Having visited the Sierra and the Yosemite high country for more than a few decades, I have become attached to a number of small and unlikely little places that have personal meaning to me. This is one of those odd little spots. At a point along Tioga Pass Road there is a small unmarked turnout like many other such turnouts along this route. One time a few years ago I stopped here for reasons that I can no longer recall. I got out of the car and noticed a very faint path leading away from the road – so, of course, I took it! It led though tightly spaced trees and towards a small canyon, passing several small ponds along the way. I also recall mosquitos. Lots of mosquitos.

Since that time I have returned to this spot quite a few times – in snow on the day that the road first opens, on sunny summer days like this one, and on damp and foggy evenings in late fall not long before the highway closes for the season. Where is the spot, exactly? All I’ll say is that it is in Yosemite and that you can get to it by walking away from Tioga Pass Road. Frankly, I don’t think the specific location really matters to anyone but me and perhaps a few others who might stop here, too. There are thousands of such little spots throughout the Sierra, and it is your discovery of your own personal places among them that can make them special.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dead Tree and Sandstone Cliff

Dead Tree and Sandstone Cliff -A dead tree stands in front of a sandstone cliff, Zion National Park
A dead tree stands in front of a sandstone cliff, Zion National Park

Dead Tree and Sandstone Cliff. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dead tree stands in front of a sandstone cliff, Zion National Park.

Along the Mt. Carmel Road through Zion National Park, the higher elevation areas tend to feature a lot of lighter color sandstone, which I understand may be the remnants of ancient sand dunes. For the most part, these formations tend to be lighter in color than the strikingly red tones of the sandstone cliffs found lower in the park, in the Zion Canyon of the Virgin River for example. These “highland” rock formations have their own appeal, including a wide variety of patterns including beautiful curving shapes.

But that isn’t what you see in this photograph, even though I made it in the highland area. As we rounded a turn at one point, ahead of us and then to the right was a very large and close cliff of red sandstone, and it was still in the afternoon shade. I like shade! Not only that, but in front of this cliff were several large trees that were not only out of the shade but which were also backlit. I like back-light! So we stopped and I photographed those trees. But as I worked on them I also noticed this skeletal and very deal old snag of to one side. I like old snags! Because the rock was in the shade yet lit by reflections from across the canyon, the red tones of the sandstone were intensified. There were a couple of challenges with this scene. The overall luminosity range is not great, the colors are all affected by the reddish glow from the cliff and the light from across the small canyon, and the tonal level of the tree is not that different from that of the rocks. In order to get the tree to stand out at least a bit against the rocks (something that was more obvious on the scene and looking at it in 3D) some work was necessary in post, especially some fine work on the tree itself.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Siesta Lake, Summer

Siesta Lake, Summer
Siesta Lake, Summer

Siesta Lake, Summer. Yosemite National Park, California. June 23, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

The middle of a summer day at Siesta Lake, Yosemite National Park.

And, surprise!, yet another photograph dredged up from the archives during my summer crawl through the past eight years of raw files.

Siesta Lake is probably well-known to almost anyone who has driven across Tioga Pass Road (highway 120) from west to east through Yosemite National Park. As the road ascends from into the higher elevations, at one point it rounds a turn and there on the right is this pretty and peaceful little lake, right next to the road, surrounded by trees and boulders, and often with water lilies floating on its surface. Few can resist a quick stop, unless they are in a real hurry or have stopped there many times before. I’ve stopped there lots of times, but I still do pull over for at least a quick look.

This photograph of the lake is a bit unusual for me in a couple of ways. For one thing, it was made during the middle of the day, during those hours that are not supposed to be conducive to photography – and, in fact, which can be very challenging. But on this day there was a thin layer of overcast broken by thicker clouds, and this somewhat muted the midday intensity of the light. In addition, I think that I most often work close views of the grasses and, especially, the flowers growing in the lake – but here I stood back a bit and took in everything from the foreground to the trees on the opposite shore. Finally, the vast majority of photographs I’ve made here are in landscape (wide) orientation, with some even going all the way to 2:1 panoramic formats and beyond.

G Dan Mitchell Photography
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Lodgepole Pine, Evening Shadows

Lodgepole Pine, Evening Shadows
Lodgepole Pine, Evening Shadows

Lodgepole Pine, Evening Shadows. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

The evening shadow cast by a nearby high ridge approaches a lone lodgepole pine and an old snag near Tioga Pass, Yosemite National Park.

One of my favorite kinds of light is that found at the edges of shadows from higher peaks as they move across lower terrain. (A secret: Among other “tricks,” I like to find and follow these margins when I shoot in Yosemite Valley, too.) Because this light most often happens during the relatively early and late hours of the day, the color quality of the light tends to be warm and the angle low. As the patterns of light and shadow move across the landscape, individual elements may get picked out the light and can often be isolated against darker backgrounds, as in this photograph.

The Sierra is full of trees pretty much like this one, and such meadows with the isolated small and large trees and scattered boulders are not hard to find. This particular tree is in one of the extensive meadow areas in the general area of Tioga Pass. The photograph was made in the very late afternoon as the tall ridge to the west was blocking the sun.

Despite the still and tranquil nature of the scene, this is an example of a sort of shot that reveals the wrongness of the idea that all landscape is done slowly and methodically and with all the time in the world to work. Sometimes that is the case, but when you work the margins of shadows (or many similar dynamic subjects) there may only be brief seconds when the light is where you want it. An observer might find it humorous to watch the photographer run to get into position and then work very quickly.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.