Tag Archives: soft

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Quiet Forest, Reflected Meadow Light

March 5, 2013 G Dan Mitchell 2 Comments

Forest trees are illuminated by soft light reflected from a nearby meadow, Yosemite Valley

This could be any number of places in Yosemite Valley where forest and meadow come together. I was walking from one photographic location to another when I passed by this clump of trees at the edge of the forest and thought about photographing them. I even set up and composed a shot… and then the light died. This was a day when the light was coming and going quickly, and this was especially true in this spot which was not far from the edge of the Valley and the boundary between partial sun and the clouds that gathered around the cliffs. So I continued on a bit and tried to find a way to photograph the other subject that had been my original goal.

Finishing that, I started back and soon came upon these trees again. This time the light was back. Off to the left of the trees was a large open area leading to an even larger meadow a bit further out toward the center of the Valley. As there was more light in the meadow and because there were clouds above, a good deal of the light reaching these trees was diffused side-light rather than the overhead light that might have been here if the weather had been clear. So, once again, I set up the tripod and framed a tight composition of these trees, a bit of the winter-dormant grass at their base, and the denser forest beyond. As I set up I could see that the light wasn’t going to last, and I had time for one decent exposure before the light died again.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Winter Haze and Trees, Central Valley

December 14, 2012 G Dan Mitchell Leave a comment

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks, Dusk Light

November 3, 2012 G Dan Mitchell Leave a comment

Post-sunset dusk light on the strata and towers of Cedar Breaks, Utah

This view of the red rock formations at Cedar Breaks National Monument is from a different portion of the area than shown in the photograph I posted previously, and was made on a different day. Earlier I had photographed aspen color far below in an area of the Dixie National Forest, and when I finished there it seemed like there might be just enough time to swing by this overlook during the very last light of the day. One thing led to another – primarily photographic distractions, if I recall correctly – and when we arrived it was literally the last sunlight, and it was going fast.

By the time I got my gear together and walked out to the edge of the drop-off, the direct sun was pretty much gone, as a consequence of the late hour and of the clouds that were in the west. But sometimes the most beautiful light comes after the sun drops below the horizon, when features are lit by the soft yet colorful western sky and shadows are filled in by this more diffused light. Fortunately it wasn’t too windy – unlike the previous day when the winds were howling – so I was able to continue shooting into this evening light a bit before packing up and heading back to Brian Head.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

April 10, 2012 G Dan Mitchell Leave a comment

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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