Tag Archives: solitary

Sunset Tree, Granite Cliff

Sunset Tree, Granite Cliff
A solitary tree caught in a beam of sunset light beneath El Capitan

Sunset Tree, Granite Cliff. Yosemite Valley, California. February 25. 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary tree caught in a beam of sunset light beneath El Capitan

As a friend recently wrote, lots of photography stories begin with a recounting of how bad the light was and end with an unexpected miracle of light. I’m not sure that this event qualifies as a miracle, but it certainly was unexpected. After a day of photographing in Yosemite Valley I was more or less ready to take a break and clouds were closing in, so I decided I might as well head to Tunnel View and just take a look. I had no plan to photograph. I arrived and parked, got out of my vehicle, and walked to the overlook unburdened by any photographic equipment at all. Clouds were thickening above the Valley and it looked like a predicted weather front was probably approaching from the west, meaning that more clouds would be blocking the light from the west. I decided to go back to my car to get my smart phone so that I could walk back and make a “Hi, I’m here!” photo to send to my family.

As I returned, I saw a beam of light start to illuminate the opposite valley wall to the west-northwest, and I quickly figured out that it was gradually angling toward the base of El Capitan. There are no guarantees of how such an event will unfold, but it is better to be prepared and end up disappointed than to not be ready and miss photographing something glorious. So I dashed back to the car again, grabbed camera gear, rushed back, and set up. By now the narrow beam of light was traversing the valley wall almost all the way to the base of El Capitan, and for a brief moment it caught this solitary tree in its spotlight as another band of golden hour light washed across the upper face and lit the edge of the monolith.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Solitary Tree, Glacial Erratic Boulders

Solitary Tree, Glacial Erratic Boulders
Solitary Tree, Glacial Erratic Boulders

Solitary Tree, Glacial Erratic Boulders. Yosemite National Park, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree grows on granite slabs, surrounded by glacial erratic boulders

I made this photograph at a well-known and increasingly iconic location along the Tioga Pass Road as it passes along the Sierra high country terrain as it ascends toward Tioga Pass. This spot could probably serve as a prime lesson about how many other opportunities and ways to see there are for Sierra photographers, even when shooting with certain big, famous iconic features only a few degrees of tripod swivel away! (It is OK to photograph the icons, too – we all do it. But it is more rewarding I think, to also look beyond such things to see the much larger and equally beautiful world around them.)

The basics of looking beyond icons involve, well, looking around. A first step might be to go ahead and photograph the icon a few times, get to know it, and perhaps eventually shoot it when there is something a bit different about it – unusual weather conditions, a different time of day, out of season, etc. But the next step is to look in other directions, poke around a bit, and think about just what else contributes to the subjective experience of being in that place. I come to this spot frequently just before sunrise, and at that time the beautiful glacial erratic boulders strewn about the terrain are highlighted by the slanting, warm light and some of the more distant features are beautifully obscured by shadow and atmospheric haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Boulders, Tree, and Dark Granite

Boulders, Tree, and Dark Granite
Boulders, Tree, and Dark Granite

Boulders, Tree, and Dark Granite. Yosemite National Park, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree stands on granite slabs among glacial erratic boulders against the dark background of a granite face in shadow

I have previously posted a few photographs from this early August four-day shoot in Yosemite, when I ranged between about Olmsted Point and Mono Lake for about four days. The photography was a bit strange compared to more normal years – there was smoke in the air from a fire near Mammoth Lakes and there was not much water due to the drought afflicting the mountains after a second very dry winter. So some of my photography instincts may have been challenged a bit, and I had to adapt to conditions – sometimes ending up shooting in a different place than planned when the haze was too thick, sometimes using the haze as part of the photograph, and also ranging a bit more widely than I might usually do.

On this morning I had decided to “work” that area between roughly Tenaya Lake and some rocky slabs a bit past Olmsted Point. I began at Tenaya just before sunrise, but the smoke haze was making things difficult. I made a few photographs along the curving shore as the first sun hit nearby ridges, but I wasn’t especially happy with the atmosphere or the color and quality of the light so I moved on. The slabs and domes along the road to the west of Tenaya Lake, which track the road for some distance and spread well beyond the road itself, have been an ongoing subject of interest to me. While the sun had hit the highest peaks by the time I got there, it had not quite worked its way down to these slabs, so I found some likely groups of glacial erratic boulders and various small trees and made some photographs. In this one, a single tree stands beyond a group of large boulders that had just been hit by the first light, and across a nearby canyon large granite walls are still in shadow.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.