Tag Archives: southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cottonwood Trees, Escalante River Canyon

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Cottonwood Trees, Escalante River Canyon
Cottonwood Trees, Escalante River Canyon

Cottonwood Trees, Escalante River Canyon. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees, in various stages of fall color, beneath a tall sandstone cliff along the Escalante River, Utah

There is a little bit of a story behind this photograph. We had visited this canyon area almost a week earlier when we first arrived in the Grand Staircase-Escalante National Monument area, but the results had not been quite what we had hoped. We were imagining clear and sunny skies reflecting colorful light down into canyon depths, warm temperatures, still air, and more. Instead we got partial clouds, freezing cold temperatures, and high winds! All of these factors had turned out photographic plans into an extremely difficult challenge. We made it up our canyon to about this point, but the winds were too strong and we were perhaps too cold to stick around. But I had noticed this group of trees at different stages in the transition to fall color and backed by huge boulders and a massive cliff of sandstone.

Nearly a week later we had some extra time and we decided that a second try at this location might be worthwhile. In contrast to that earlier visit, now it was warmer, sunnier, and less windy. We made it to the same portion of the canyon – and a bit further, too – and now found that photography was a lot more possible than it had been only a few days earlier. The color and light on this little scene might need some explanation. The cottonwood trees were, indeed, exhibiting color variations from yellow/gold, through golden brown, and even some still-green leaves. The light came from out of the frame to the right, where a very large and tall sandstone cliff was in full sun and reflecting warm colored light down into this shaded section of the canyon. The color of this light was very surprising. You can see a bit of what was going on by looking at the large boulder behind the trees. The surface facing my camera position appears blue, partly because it was in shadow and partly because that is close to the actual color of this rock. But if you look at the left side of this rock, where a large surface faces that sunlit cliff, it has taken on a color that is almost the same as that of the tree!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Gambel Oak Leaves, Autumn

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Gambel Oak Leaves, Autumn - Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park
Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park

Gambel Oak Leaves, Autumn. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park

This is a very different view of the autumn gambel oak leaves than another that I recently posted. That other photograph showed the perhaps more typical brown or tan phase of fall oak leaf color. This one, on the other hand, shows a particularly colorful specimen of these leaves, caught at perhaps just the right moment and in the right light in a canyon of Capitol Reef National Park early one late-October morning.

The angle from which you view these leaves matters a lot, as it often does with autumn leaves in general. The nature of the ambient light also makes a big difference. And did I mention the timing!? If you can get a bit of back-light behind the oak leaves, what might otherwise be a bit dull can begin to glow. And the soft, diffused lighting in this deep canyon setting allowed the light to fill in the shadows. These particular specimens possess very interesting color and shape patterns: there is an interior still-green section on many of the leaves that is just beginning to edge towards yellow-gold, and it is surrounded by brilliantly red and orange leaf edges. When I shoot in deep shade – and these plants were deep in the shade of this small canyon – I often find that the photograph seems unnaturally blue, given that most of the light is either direct or reflected blue sky. In most cases, in order to get a color balance that reflects what the eye saw – and our visual system compensates for the blue saturation – I have to alter the color balance a bit and move it away from this artificial-seeming blueness. However, in this case, if I adjusted far enough to neutralize the blue that you can still see on the more-or-less gray branches and twigs, the color of the leaves would probably defy belief!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper Tree, Towers at Base of Sandstone Cliff, Evening

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Juniper Tree, Towers at Base of Sandstone Cliff, Evening
“Juniper Tree, Towers at Base of Sandstone Cliff, Evening” —A lone juniper tree grows among boulders at below sandstone towers at the base of cliffs, Capitol Reef National Park

I made this photograph midway through a trip of about 11 days that took us to a number of locations in Utah. Every such trip seems to have a sort of arc that includes the initial excitement and expectation of heading out into the world to photograph, a settling in period, perhaps a lull in the middle followed by a reconnection to the work, a sense that the trip is ending and there is too much left to do, and the final trip back to the “real world.” This photograph was made near the end of the “lull,” and might have marked the transition back to rededication to the work. On this mid-trip day, we had found ourselves perhaps a bit without direction and one of the members of the group had not been feeling well. At a low point in our energy but perhaps feeling that we should at least carry on and act like we were working, we went to a nearby area of the park in the evening.

At first we had no clear goal in mind, though we sort of stopped and looked around at a few spots, but without really making any serious photographs. Eventually we headed up into a large canyon, first photographing the walls near the start of the canyon and then photographing the canyon itself a bit as the light began to fade. This work went OK, but it didn’t seem to be quite “clicking.” But eventually, in my experience, you get to the point where you sometimes simply accept this as part of the work, trusting that if you keep looking and keep seeing you will eventually find what you are looking for – and that this is far more productive and useful than packing it up when it isn’t working. (Though, to be fair, there are a few times when packing it up and going and having a nice dinner can be a reasonable option!) In any case, we loaded up the vehicle and began to drive back out of the canyon. Looking up at the surrounding canyon walls, we were surprised to find some very unusual post-sunset light. During normal light these canyon walls look very dark and have the intensely “red” quality of the iconic Utah sandstone. But somehow this light seemed to have drained the color from the rocks, creating a de-saturated and almost slightly metallic effect. We quickly stopped an piled out with cameras and tripods and began shooting, and it seemed to me that the connection had been made once again.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Slot Canyon Walls

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Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.