Tag Archives: southwest

One Green Leaf

One Green Leaf - One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park
One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

One Green Leaf. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

One green leaf on a bed of brown and tan autumn leaves in a desert wash, Capitol Reef National Park

My two October trips to photograph in Utah extended my ongoing education about the place, and one of the locations (but not the only one!) about which I had and still have the most to learn is Capitol Reef National Park. When I first was there in April of 2012, my encounter with this park was perhaps shamefully superficial, though my excuse is that we were only passing through on our way to another place. All I saw of the park was the short highway drive that passed by the Fruita District as it passes through the park – the rest of the park beyond this small bit remained a complete mystery to me. In October I was there twice. On the first visit I was in the area enough to start to get a bit of a feel for the place, though I mostly still stuck to the most popular and accessible areas, with the addition of a bit of hiking and a long drive on gravel roads down the less-visited side of the park. On the second visit I learned and saw a bit more – enough to convince me that there is much more to this park and that it is a place I want to return to.

Although there is no evidence of this in the photograph, this shot was made in a short slot canyon in an out-of-the way area of the park. We drove there on a very cold morning and heading into the canyon while the temperature still hovered around freezing. There was no one else there at all, and we barely even saw anyone else on the long drive to get there. The little canyon itself was quite beautiful and full of interesting surprises – juxtapositions of glowing red-orange walls and shaded blue-purple walls, brilliantly colorful gambel oak leaves, large sandstone faces and walls, and more. As I investigate a place like this I try to let my eyes roam beyond the first things I see, and try to also see smaller things that could easily be missed. Here I happened to look down at my feet – sometimes a good thing to do! – and see that the floor of the stream bed was in places carpeted with oak and other leaves that had recently fallen, and this batch of brown and tan leaves held one that was still green.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Floating Cottonwood Leaves, Autumn

Floating Cottonwood Leaves, Autumn - Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah
Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah

Floating Cottonwood Leaves, Autumn. Grand Staircase-Escalante National Monument. October 24,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Floating cottonwood leaves nearly obscure the surface of a small pond along the Escalante River, Utah

On our first of two hikes into the Escalante Canyon we had to contend with very strong winds. Wind is usually not the landscape photographer’s friend. Not only does it create some issues for camera stability, but it also sets trees and other foliage in motion, and given the relatively long exposures we sometimes use – especially when shooting down in the bottom of a deep canyon – making motion blur a very serious issue. It is virtually impossible to stop the blurring motion of leaves and grasses and branches. To some extent you might be able to make use of this and “go with the blur,” but that isn’t likely to work with all shots.

However, there is often a silver lining behind such clouds, and one bright spot with wind is that in the fall it drops lots of colorful leaves on the ground and into any water than happens to be lying about. As we worked our way downstream we came to a spot where a small stream joined the main watercourse in a flat area. Because of the flat terrain the water had created some almost still pools in places where faster flows had previously carved out hollows in the sand, and the surface of these ponds was almost completely covered with freshly fallen cottonwood leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Butte and Petrified Dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park - Morning light on buttes and petrified dunes, Arches National Park
Morning light on buttes and petrified dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on buttes and petrified dunes, Arches National Park

While I’m fascinated and amazed by the namesake arches in this park and by the monumental sandstone buttes, mesas, fins, canyons, towers, and more… I also find that the light and the atmosphere can produce some of the most interesting subjects in Arches National Park. Because this particular butte and the terrain beyond are seen from a spot that is also excellent for photographing certain other nearby subjects, especially in the early morning, this was not the first time that I photographed this scene – though the atmosphere and light were so different on the two main occasions that you might hardly see them as the same subjects at first.

After photographing some impressive nearby sandstone formations in early morning light, I watched as the sun rose high enough to slant its light across the tops of the low formations known as petrified dunes. This is one of several photographs I made there were largely “about” that light and those dune structures, though in both cases I used them as elements in a larger scene rather than the primary subject. Here the backlit morning haze was thick enough to almost render the furthest buttes in the upper right corner of the frame invisible. They are a good distance away, being on the far side of the canyon of the Colorado River, which is visible in front of the buttes. The large, close butte at the lower left posed a challenge as the “front” side was in shadow. (Though the challenge here was less than the last time when I shot here – on that occasion the backlight was so brilliant that I could keep almost no detail in the front of that butte.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Escalante River, Cottonwood Trees, Autumn

Escalante River, Cottonwood Trees, Autumn - Large cottonwood trees with autumn leaves along the Escalante River, Utah
Large cottonwood trees with autumn leaves along the Escalante River, Utah

Escalante River, Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cottonwood trees with autumn leaves along the Escalante River, Utah

In many places like this one along the Escalante, the terrain seems to be largely a continuous repetition of one horseshoe bend after another, and each bend encourages me to want to see what will be ahead. When the river bends one way, the bottom of the canyon may be in sunlight; when it bends the other – and perhaps narrows around the apex of the bend – everything may be in deep shadow from the tall cliffs above the narrow canyon. In these bends it is often necessary to cross back and forth across the stream as the canyon narrows. (That ritual was a new one to me as a long-time Sierra Nevada hiker and backpacker. There a stream crossing or two in a day would typically be about it, and we tend to make a big deal out of them. Here you might cross a stream more than a dozen times in less than a mile!)

The location of this photograph was at one of those crossing points. The trail approached my camera position from up the canyon and around the bend along the right (from this point of view) side of the stream, crossed the river down among the trees, and then headed across a low hill to the left that skirted between the river and the base of the cliffs. When I arrived at this point and walked underneath this wildly colorful group of cottonwoods, I thought I’d like to find a way to photograph them, the river, and the dark upper canyon. So, before wading through the water I went ahead a bit and climbed up on a sort of ledge to this overlook from which I had a good view up the canyon. Because it was a partly cloudy day, the light here was in a constant state of change. When the clouds moved overhead, the canyon and the trees become quite dark. But a moment later the cloud would pass on and the sun lit the golden trees so brightly that it was almost impossible to photograph them and keep any light in the background canyon. So I watched and waited and made this exposure when the clouds partially obscured the direct sun, but still let in enough light to brighten the trees and cast soft shadows on the bank of the stream.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.