Tag Archives: spring

Spring Oaks, Sierra Foothills

Spring Oaks, Sierra Foothills
Spring Oaks, Sierra Foothills

Spring Oaks, Sierra Foothills. Tuolumne County, California. May 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Spring oak trees and meadows, Sierra Nevada foothills

In this drought year Tioga Pass, the trans-Sierra route through Yosemite National Park, opened earlier than usual. For me, the opening of this pass marks the end of the winter season and the beginning of the summer, with its easier access to the high country. Virtually every year I mark this event by visiting the Yosemite high country on the opening day or as close to it as possible. This year’s early May opening fell on a busy weekend, so I couldn’t be there on the actual opening day, but two days later I was able to squeeze in a one-day up-and-back trip from the San Francisco Bay Area.

I was up way before dawn and on the road before 4:00 AM. During the winter months such a start time would get me into the Sierra for dawn photography, but with the longer days at this time of year the sun rose when I was still in the foothills. While many might regard the foothill terrain as something to pass through on the way to the more interesting goal, I have come to love the soft, curving foothills, with their covering of grasses (green at this time of year, but brown to golden most of the time) and oak trees, either standing individually or as part of large oak forests. When I came to this spot, where I have stopped to photograph before, I found the meadows in that transitional state between the remaining greens of this year’s (meager) spring moisture and browns of California’s summer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Flooding, Tuolumne Meadows

Spring Flooding, Tuolumne Meadows
Spring Flooding, Tuolumne Meadows

Spring Flooding, Tuolumne Meadows. Yosemite National Park, California. May 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Tuolumne River overflows its banks on a spring evening, Tuolumne Meadows

This is another, slightly different view of a scene that I shared recently, photographed at Tuolumne Meadows on the weekend when Tioga Pass Road over the Sierra crest opened for the 2014 season. As is my habit, I broke free and made it up there to celebrate the beginning of a new high country season. It was a quick trip—a 21 hour 550 mile drive that took me across the range to the Mono Lake area and some nearby sights on the “east side.” Later in the day I reversed course and headed back up to Tioga Pass and began my homeward trip, stopping to spend a good part of the evening in Tuolumne Meadows, where strong wind blew as the golden hour light began to develop.

This scene is full of things that I know well. I have visited the general area of Tuolumne Meadows since I was a child and my father took me and one of my brothers up there on the first camping trip that I can remember. Every spring (or early summer in wet years) when I return I look for this area of the meadow where the Tuolumne River overflows its banks and produces a temporary lake, even in a very dry year like this one. On a number of occasions I have hiked on a trail that crosses from right to left just below the bright granite peak in the upper left, heading for a pass below Ragged Peak and then on to Young Lakes, which lie just beyond that highest ridge. (Just below and to the left of the granite peak lies a beautiful area of subalpine meadow with scattered rocks and extensive fields of lupine.) On this evening there were few people in the meadow, as the campground was not yet open and not many people were still up here so late in the day, so I was able to wait quietly for the clouds and the light to line up just right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Golden Evening Primrose

Golden Evening Primrose
Golden Evening Primrose

Golden Evening Primrose. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Golden Evening Primrose blossoms, Panamint Range, Death Valley National Park

Once we figured out that this was turning out to be a rather good wildflower year in Death Valley—rather than the expected complete bust—we began to see wildflowers everywhere. Although there were not too many at the lowest elevations in the most arid and desolate parts of the valley itself, up in the surrounding desert mountains there were a lot of flowers, and in some places the display was downright abundant, with the colorful patches on hillsides visible from a good distance away.

It helped that on what was probably our best wildflower photography day there was a winter storm that not only brought some rain and a bit of snow to the higher elevations but, more importantly, brought clouds and the soft light conducive to flower photography. As we would walk or drive along we might spot a bit of color and get out to look around. Invariably, as soon as we started photographing that color that we first spotted we would look more closely and find more and more examples and more and more kinds of flowers. What seemed like it might be a quick “stop to photograph the yellow flowers,” inevitably turned into a half hour or an hour exploration of a world of small and colorful desert flowers.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.