Tag Archives: stock

Light on Red Rock

Light on Red Rock
Sandstone formations in sunlight, Arches National Park.

Light on Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone formations in sunlight, Arches National Park.

As I have waded through my 2012 archive of raw images from Utah, made during two autumn trips to the southern part of the state that lasted nearly a full month in total, I am again reminded to the incredibly diverse ways in which the ubiquitous sandstone can be seen. Sometimes, in stark light, the colors are not that striking. In the depths of canyons they can be unbelievably intense. In dawn and sunset light they can become so saturated as to be nearly unbelievable. In shade they can be tinged with blue. And on it goes…

I made this photograph in “normal” daytime light, in a place where the sun beats down without obstruction. I don’t recall for sure now, but judging by the reasonable light levels of the highlights, it may have been a bit overcast. In this location the rock tends to organize into “fins” and fin-like formations, with long walls that are tall and parallel to one another. The nearly overhead light created shadows on the side of the rocks facing me, but each face was also subtly lit by reflections.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Cloud Shadows and Fog

Cloud Shadows and Fog
Cloud shadows on the surface of the Pacific Ocean off of Point Reyes National Seashore.

Cloud Shadows and Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cloud shadow on the surface of the Pacific Ocean off of Point Reyes National Seashore.

This is a rather subtle landscape or seascape photograph, perhaps to the point of minimalism. I made it on a foggy afternoon along the interior of Drakes Bay at the Point Reyes National Seashore. The fog had thinned a bit by this time, but it was obstinate enough that it had not lifted even in the afternoon. Some light was coming though the cloud deck but it was extremely diffused — though it had enough directionality and the fog enough luminosity to lay a subtle shadow across the water below a thicker line of clouds.

Days like this one are slow, quiet, and mysterious along the Pacific Coast. The scale of the landscape diminishes to some extend and the “clear to the horizon” views are gone, as is the dome of the sky. From high locations such as the one from which I made the photograph, even the sound of the surf is muted.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Green River Canyon

Green River Canyon
A hazy evening overlooking the Green River Canyon as sunset.

Green River Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy evening overlooking the Green River Canyon at sunset.

The story of this photograph — and this version of the image — is a bit involved for the usual two-paragraph post, but here goes. The first part concerns the fact that this is not a new photograph, but that I created and shared in the past. However, as I looked at it during my pandemic project of reviewing old files, I began to feel that it could benefit from a bit of reinterpretation. The result is not radically different, but I like it a bit more. A slightly modified crop and a few other bits of post-processing revision provide a stronger sense of what I recall experiencing when I made the photograph.

And speaking of making the photograph, this is where I get to — yet again! — tell a story on myself. I made the photograph on the first day of my first-ever visit to this Utah national park and, as is my frequently practice, I entered this park having done essentially no prior research. My idea, at least most of the time, is that I don’t want to go to such places with too many preconceptions, preferring to go with my own personal response to the place. (Funny story: We passed a turn-off at one point to “Mesa Arch,” one of this things that every photographer must “capture” in this park. I had no idea it was there… and we kept driving.) So, we entered the park and drove up to the “island in the sky” mesa area and began poking around. Eventually we “discovered” a location with a spectacular panoramic view down into and across the magnificent canyon of the Green River. I later came to understand that perhaps I wasn’t the first person to visit this spot… to put in mildly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Towers, Windows, Mountains

Towers, Windows, Mountains
Arches National Park towers and windows, backed by distant mountains in morning haze.

Towers, Windows, Mountains. © Copyright 2012 G Dan Mitchell – all rights reserved.

Arches National Park towers and windows, backed by distant mountains in morning haze.

The first time I visited Arches National Park, I was intentionally almost completely ignorant of the place. I had sort of connected it with Edward Abbey’s “Desert Solitaire,” but only as a sort of vague background to the larger points of that book. I knew that so-called Delicate Arch was located in this par. But that was pretty much it. So the first time we drove into the place late one afternoon I was almost completely unprepared for the otherworldly quality of the impossible formation in the park.

I made this photograph a few days later, on a morning of oddly hazy atmosphere that muted the details for the landscape, simplifying it and bringing attention to the larger forms. While this is red rock country, that is barely visible in this light. The solitary pinnacle is silhouetted against a panorama of other-worldly towers and windows backed by the barely visible outline of the La Sal Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.