Street art in a doorway, bouquet of flowers, London street
It has been a very busy day and another busy day is beginning, so this will be a short post today. As we walked past this spot in London on a summer 2013 visit it seemed that perhaps not everyone had been equally enthusiastic about the Olympic Games coming to London…
Walking up Market Street in San Francisco I was watching out for anything that could be photographically interesting — architecture, people, vehicles, light — when I looked down and saw this little vignette of… not much at all really. Perhaps someone had been cleaning the street earlier, and now a puddle of water covered some sidewalk bricks and flowed over the gaps between others.
I stopped, more or less in the middle of the sidewalk, likely forcing a few people to take a path around me or perhaps just wonder what I was photographing with my camera pointed straight down. What I saw was, first, the water itself. Then I saw the narrow vertical band of lighter tones, where there was a break between reflected buildings. I only paused for a moment to make a couple of exposures, and then I continued on.
A man in blue walking past a barren San Francisco street corner
This is a street photograph from one favorite corner in downtown San Francisco, where the buildings are tall enough that I can often photograph subjects in soft light. In addition, the buildings and the street are not very colorful, allowing whatever the subject bring to the scene to become more important.
Often when I make photographs like this I think a bit like a landscape photographer. I find a configuration of fixed subjects that interests me, I try to create some kind of composition out of it (usually working very quickly) and then I watch for a person or persons to walk into and through the scene. This time the two components happened almost simultaneously. as soon as I saw the one-way sign on the corner and realized I wanted to photograph it I also saw this man crossing the narrow street and heading toward it — and I had just enough time to lift the camera, frame the scene, and photograph him between the sign and the fire hydrant, and at the closest point on the sidewalk.
Walls, doors, gates, conduits, signs, trash containers, peeling paint, reflections along a San Francisco street
I’m indulging my fascination with street scenes once again today. This photograph comes from a morning spent walking across San Francisco late last week. I arrived early in the City by train, got off, and walked by an unplanned and mostly spontaneous route across downtown, across Chinatown, through North Beach, and almost to the touristy Pier 39 before looping back to my starting point on The Embarcadero to catch a train back home.
This is a familiar sort of San Francisco scene, especially to those who wander though the City of foot, though I could find similar spots in many other urban areas. In a world where we often see things that have been carefully designed and unified, spots like this seem to occupy the opposite end of the spectrum. It would be easy to walk past and not see it — I’ve certainly done so many times — but once I stop and look I’m often amazed at the density of visually dissonant elements that are thrown together. Almost everything seem like it was initially utilitarian, but gradually a sort of near randomness seems to have crept in, and now the colors are wild and contrasting, paint is peeling, textures are varied, a few signs intrude, trash cans lean against doorways, and the sidewalk tilts.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
