Tag Archives: street

Curving Street, Lisbon

This photograph comes from our longish walk across Lisbon to climb up toward the St. George Castle. If you walk in Lisbon, get used to hills! We walked down a pretty good one from our lodgings, and before long we climbed the large hill topped by the castle. We didn’t go into the castle grounds, since we had some other ideas in mind, so we were soon ascending and descending the steep hills again.

I loved this little narrow street. Just about every thing about it is charming, The route gently curves, and you walk along pavement embedded with interesting patterns and colors. The buildings themselves are painted in striking colors, too. And, of course, it is so narrow that it isn’t really suited to vehicles larger than scooters.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Chairs, Whitney Museum

As each season passes, the sensations of the previous season fade. But only a short time ago it was about colorful leaves falling from trees, crunching underfoot, and blowing along sidewalks and trails. I made this photograph as we passed the Whitney Museum at the end of a very long Manhattan walk in late November on one of those beautiful autumn days.

Sometimes the question arises: What is this photograph about? It is hard to be too specific about that. But here the colors are pretty important — the bright yellow of the chairs, the warm orange of the leaves, and the overall cool blue tones of the light. I think it is also “about” the juxtaposition of the constructed urban world and the organic forms of the natural world.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Apartment Facade, Porto

Apartment Facade, Porto
“Apartment Facade, Porto” — A building full of tightly packed apartments, Porto.

We visited Porto, Portugal last summer during our travels though (mostly) Southern Europe. We spent a week in Portugal, split between Porto and Lisbon. We had heard good things about Porto, and it is clearly a city that combines history with modernity. That, in fact, seems to sometimes lead to some (typical urban) conflicts as older areas transition to incorporate expensive real estate, and you’ll sometimes see juxtapositions of wealth and poverty.

I saw this building on our very first walk in Porto. We headed toward the historic Ribiera district, which features densely packed buildings on a steep, hillside landscape alongside the Duoro River. The building in the photograph is not, as far as I know, any sort of historic treasure, but it is a visually remarkable structure. . It appears to be very dense apartments of some sort, and I can only imagine wh=at it must are like inside.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Long Shadows

Long Shadows
Pedestrians at the High Line Park cast long shadows.

Long Shadows. © Copyright 2023 G Dan Mitchell.

Pedestrians at the High Line Park cast long shadows.

In my experience, interesting things happen to the light during late-fall and winter in Manhattan. Many are familiar with the “Manhattanhenge” phenomenon where the sun lines up with streets, but I’m thinking more of the combination of low sunlight angles and midday and afternoon light casting long shadows to the north and northeast of subjects, who appear against a bright, sometimes-glowing background.

Interesting things happen in this light. The shadows fascinate me — they are long and often anngle across the scene. (In some places the shadows themselves criss-cross when the light is reflected from building windows.) To photograph this light I have to walk towards it, and if I’m including human subjects they are often walking the other way — so things happen quickly and I have to react with little time for careful thought. As a result, there are surprises… such as the arm position of the man at the left, who walks almost as if he is trying to balance on a tight rope.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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