Tag Archives: study

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes, Soft Light

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Dunes, Soft Light
Details of sand dunes in soft evening light, Death Valley Naitonal Park.

Dunes, Soft Light. © Copyright 2022 G Dan Mitchell.

Details of sand dunes in soft evening light, Death Valley Naitonal Park.

Sand dunes are fascinating subjects, both for their appearance as part of the larger landscape and because they contain infinite varieties of smaller subjects, textures, colors, and variations in light. I made a wild guess recently that I’ve probably been to Death Valley perhaps twenty-five times. You’d think that I might start to tire of the dunes or run out of things to photograph there… but there’s no sign of this happening.

We went to these dunes late in the day and had them entirely to ourselves. The light was challenging, as clouds were building to the west. As the clouds moved the light increased and decreased, but overall it remained quite soft. But this just provided another variation on how we can photograph this subject, and the soft light reveals some subtle details that can get lost in brighter conditions. I made some post-processing choices here that highlight the variations in light and the soft forms of the dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Study, Evening

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Dune Study, Evening
An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

Dune Study, Evening. © Copyright 2022 G Dan Mitchell.

An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

When photographing sand dunes I spend a lot of time looking for just the right combination of shading, texture, line, curve, and color. But in the end, it mostly comes down to the light — the light that colors the sand, creates the shading, and illuminates those lines and curves. It seems like every photograph in the sand dunes is an ephemeral, one-time thing, and the particular combinations of conditions can never be precisely replicated. Unlike subjects where the primary elements of the scene don’t change much, each visit to the dunes takes me to different places and photographs.

On a late-March trip to Death Valley National Park, I revisited a location that I had photographed with great success a couple of months ago. This time Patty accompanied me, and I wanted her to experience the light that I had worked with on the earlier visit. That did not happen. Two months ago the evening sky was clear, and warm-colored sunset light illuminated the western-facing dunes. This time the sky was filled with clouds and the light was soft and the colors far less intense, producing an entirely different and subtle experience.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

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Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Germany, Photographs: People, Photographs: Urban/Street

Reading on the Steps

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Reading on the Steps
Reading on the Steps

Reading on the Steps. Heidelberg, Germany. July 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A student studies a book on steps at the Physikalisches Institut of Heidelberg University, Germany

On our several walks to and along the Heidelberg Philosophen Weg, we passed by this university building, so I finally stopped for a moment and made a few photographs. The main building looks like an academic structure of some sort, so I had made a guess as to what this place was before I found the sign. One student reads on the steps, and a few of the ubiquitous bicycles are parked nearby. Also ubiquitous is the bit of political graffiti – found in many places near the University buildings, and often relatively small compared to the stuff we frequently see here in the US.

Yes, in a general sense, another postcard photograph. :-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.