“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“Sierra Setting Moon at Sunrise” — The setting full moon drops behind Sierra Nevada peaks lit my sunrise light.
Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
“From Valley to Mountains” — Sunrise view spanning the distance from Salt Creek to the base of the Panamint Range.
Photographing in the area around Salt Creek in Death Valley has long been a challenge. The place is intriguing, with its surprising creek flowing on the valley floor and its population of endangered pupfish. But visually it has generally not spoken to me. The light can also be challenging, especially with a large mountain range blocking late-day light. But I think there are possibilities in the area and I continue to visit from time to time.
“Salt Creek, Sunrise” — Salt Creek flows past low hills and toward salt flats, Death VAlley.
Salt Creek is a remarkable place, a perpetually flowing creek in the middle of the hottest place on earth and the home to thousands of endangered pupfish. But I’ve also found it to be a pretty difficult place to photograph. Light is challenging, especially late in the day, when tall mountains block the light. But I return and keep working at it!
I made this photograph as the first direct light was arriving. Just beyond the area accessible via a winding boardwalk, the creek flows in many branches through this eroded terrain. From here (behind my camera position) it passes through the area where pupfish are found, and shortly after that it flows out into the salt flats.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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