Tag Archives: sunset

Big Sur Coast, Evening Haze

Big Sur Coast, Evening Haze
Evening winter haze and mist at sunset along the rugged Big Sur coastline

Big Sur Coast, Evening Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening winter haze and mist at sunset along the rugged Big Sur coastline

This is perhaps a fairly “typical” winter view of this coastline — if such a landscape can ever by described using that term. We were on the return leg of a visit to the Los Angles Basin, and we decided to take the long route back, following US 1 up the Big Sur coast. (There is an inverse relationship between speed and rewards when traveling between northern and southern California. Racing up and down I-5 in the Central Valley has its place, but you miss a lot. US 101 is slower but more interesting, and US 1 is a lot slower and a lot more interesting!)

By the time we got out of the LA Basin — which took three hours even on a post-holiday morning — it was clear that the winter sunset would occur when we were somewhere north of Ragged Point and south of the town of Big Sur. We did not know precisely where, but along this coast it is usually possible, when you realize that the day is ending, to find a good spot fairly quickly. I picked this one perhaps 10-15 minutes before sunset, mainly by intuition as we came around a headland and saw the foreground bay, the layered headlands, and the long view to the north. I quickly got out and set up to photograph in the warm, sunset light… and then watched it “gray out” as the sun dropped behind low haze sitting on the horizon!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Winter Sky, California

Winter Sky, California
Winter evening sky above the San Joaquin Valley, California

Winter Sky, California. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter evening sky above the San Joaquin Valley, California

Photographers sometimes have a complicated relationship with sky. On one hand, quite a few of us tend to minimize its presence in photographs, especially when the sky isn’t special. The sort of blue sky day that seems beautiful to non-photographers (and beautiful to photographers when not making photographs!) often produces a plain blue expanse that can seem empty in a photograph. (Not always. It is also possible to use this in some cases, for example to suggest grand space and distance.) Among my photographer friends, quite a few work to minimize the presence of such skies or even eliminate it entirely — to the point that this can become an inside joke. I’ve heard people refer to certain photographs by one friend as “an extremely rare [insert photographer name] photograph of the sky.”

But sometimes the sky begs to be included, and on occasion it can be the main subject. To generalize, the most interesting skies often come in fall, winter, and perhaps spring in California, when much of the state gets its most interesting weather. (There are opportunities in summer, to — how about a clearing thunderstorm?) I made this sky photograph while I was busy photographing another subject. During a slow moment I looked away from that “other thing” and saw these clouds. I pivoted and made a few exposures, just as the last sunset light was illuminating the undersides of the clouds and already beginning to fade from the highest clouds against the darkest sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Beach, Evening Surf, Big Sur

Beach, Evening Surf, Big Sur
Wnter surf rolls onto a Big Sur coastline beach at sunset.

Beach, Evening Surf, Big Sur. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter surf rolls onto a Big Sur coastline beach at sunset.

The Big Sur coastline, along the Pacific Coast Highway between San Francisco and Southern California is — not a secret! — a spectacular place. It is also a place of contrasts — between land and sea, between calm summers and stormy winters, between wild surf and quieter times. A week ago I visited during high surf, with waves of up to forty feet high battering the shoreline. This time, as we took the look route back north from Los Angeles, the ocean was quiet.

Since we were driving through and photography wasn’t my primary reason for being there, we took the scenery as it came. During the final hour of daylight I began to think about finding a spot to stop and photograph the last few minutes of light. With ten minutes to spare we came around a headland and I saw this familiar scene of coastal mountains and bays extending to the north, with the Pacific Coast Highway (and one of its famous bridges) dwarfed by the landscape. I quickly found a spot along the edge of the bluff to set p my tripod, and I had a few minutes to photograph gentle evening color and coastal haze before an offshore cloud bank “turned out the lights.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunset Storm Light

Sunset Storm Light
Clearing storm clouds at a final wash of sunset color above the Sierra crest near Tuolumne Meadows

Sunset Storm Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clearing storm clouds at a final wash of sunset color above the Sierra crest near Tuolumne Meadows

This is another photograph from my mid-July evening of miracle light — or, more accurately, my five minutes of miracle light! As I wrote earlier, I had ascended this high point in the Tuolumne Meadows area on an evening when the light was about as “blah” as it gets. There were weak thunderstorms floating around over the crest, but they were more gray and flat that electrical and exciting. And the cloud shield extended a good distance to the west, which meant that no western light was making its way in to live up the scene. But there I was, on top of a high and spectacular place with a remarkable panoramic view, so I was starting to settle in to simply enjoy the experience and perhaps not make photographs.

But… sometimes boring conditions can actual be precursors to sudden changes and even very special conditions. On overcast mountain evenings (and mornings) there may be a distant break in the clouds near the horizon, and if the setting (rising) sun passes through that space at the right moment a sudden beam of colorful light may illuminate the landscape with golden hour or pinkish light. I felt that the odds weren’t with me on this evening, but I hadn’t written off the possibility entirely either, and I kept my gear at hand just in case. Perhaps five minutes before sunset the first pink light appeared to the north on distant clouds and then began to faintly glow on the closer domes. Within in seconds the scene went from gray and flat light to this marvel of warm reddish tones. I photographed rapidly for perhaps five minutes or less… and then it was gone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.