Tag Archives: surface

Mountains, Lake, Peninsula

Mountains, Lake, Peninsula
Mountains, Lake, Peninsula

Mountains, Lake, Peninsula. San Luis Reservoir, California. November 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A peninsula at San Luis Reservoir, with distant hills and autumn clouds

I often pass this location on my way to and from other places — the Sierra, Southern California, the deserts, the Southwest, bird photography locations — but I almost never stop, despite the fact that this can be a place of huge spaces and beautiful light and atmosphere. The reasons for passing it by are perhaps many: I’ve been by it many times over a period of many decades, it isn’t easy to find a place to pull over and stop, it is a manmade reservoir, and I’m usually more focused on getting to or coming back from one of those other places.

Recently I made my first trip of the season out to the migratory bird areas of the Central Valley where I like to do a lot of photography in the late-fall through winter months. This visit was perhaps a bit early for real bird photography, but it gave me a chance to get back to that area that I enjoy so much… and it was a foggy day! (The fog and hazy atmosphere of the Central Valley are major attractions for me.) The bird photography out there was merely OK on this visit and, as planned, I only stayed there for the morning before returning home. As I climbed past the huge earthen dam of this reservoir I was struck by the hazy sunlight on brown hills and the brilliantly bright clouds to the south across the expanse of the water. At first I kept going, but I soon came to my senses, found a place to turn around, and headed back to an overlook where I made a few photographs of this landscape.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pond, Trees, Reflected Winter Sky

Pond, Trees, Reflected Winter Sky
Pond, Trees, Reflected Winter Sky

Pond, Trees, Reflected Winter Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A seasonal wetlands pond reflects a tree and foggy winter sky

This is the second in this sequence of three photographs that I’m sharing this week. All three were made nearly a half year ago on a foggy winter day in California’s San Joaquin Valley, where I had gone primarily to photograph migratory birds — geese, cranes, herons, egrets, and more. Although I knew what attracted me making photographs of these three scenes, as I wrote in the commentary on the first of them, I couldn’t quite figure out how to “see” them as final photographs back then, and they sat in my raw file archive until I recently reviewed this older images and saw how I could work with them.

There is a thread (among many) in my photographs of shooting very brightly lit fog, clouds, mist, and haze. I love the way that these atmospheric conditions can seem to glow from within when the conditions are right, and I’m especially attracted to such light when it is both slightly transparent and so brightly lit that it is almost hard to look directly into it. In these three minimalist landscape photographs I have pushed things back toward that very bright end of the luminosity scale. There are some black tones in this image, but they are very small, and almost everything else is much brighter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pond, Fog, and Sky

Pond, Fog, and Sky
Pond, Fog, and Sky

Pond, Fog, and Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A few migratory birds on the reflecting surface of a wetland pond on a foggy morning

This is one of a series of three photographs that will appear here during the next few days. As I post each of them I will have a bit more to say about the ideas behind the series, which means that story will be incomplete until they are all posted. (It may remain a bit incomplete even after I post them all, but that is a different issue.) I’ll use the first photograph to say something about the circumstance that led to them. I’ll also point out that if your taste runs to big, monumental, extravagant landscapes… these don’t work that way. They are, I think, much more quiet, subtle, and introspective images. I have made small test prints, and I think that these may perhaps lend themselves to large prints on matte paper.

Nearly a half-year ago I was in California’s San Joaquin Valley, with the primary goal being to photograph migratory birds, but also with the companion goal of photographing the minimalist landscape, the expansive sky, and the changing winter atmosphere. At one point I saw a scene that was mostly sky — the actual sky and its reflection in large, still wetlands ponds — and light diffused by tule fog. I had a sort of intuitive idea about what I saw in these scenes (which I may describe more in a follow-up post) but I wasn’t quite certain how to interpret them in the post-camera part of the process. I looked at them shortly after making the images and then left them behind as I moved on to other work. Very recently I was going back through older photographs, came upon these, and a way to interpret them as black and white photographs immediately seemed obvious. I’ll write a bit more about that soon, but here I’ll end with the thought that sometimes photographs have to “age” a bit before I/we can see them for what they are and what they might be.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Reprise: “Fractured Granite, Reflections”

 

Rock Wall, Reflections
Fractured Granite, Reflections

Today I am reprising a photograph that I shared previously since it is part of the Yosemite Renaissance XXIX exhibit opening this weekend in the Yosemite Museum Gallery in The Valley. 

An exhibition of contemporary art of Yosemite and the Sierra
Saturday, March 1 to Sunday, May 11, 2014
Yosemite Museum Gallery, Yosemite National Park

The first event of the show is tonight

The public is invited to the
Awards Reception, Friday, February 28 from 5:30 to 7:30 PM

Perhaps I’ll see you there!

Now, to the text of the original post, plus a more recent addition…

Fractured Granite, Reflections. Kings Canyon National Park, California. September 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake

A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.

With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.

Addendum: It occurred to me last week that there is a (perhaps tenuous?) connection between this photograph – with its theme of a vertical rock face above placid water – and this one by Ansel Adams that I had an early connection to: http://www.christies.com/lotfinder/photographs/ansel-adams-lake-precipice-frozen-lake-and-5056399-details.aspx – I have a personal connection to the place, which I wrote about here: https://gdanmitchell.com/2010/01/14/a-photograph-exposed-submerged-boulders-precipice-lake

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.