Tag Archives: talus

West-Facing Wall

West-Facing Wall
Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

West-Facing Wall. © Copyright 2022 G Dan Mitchell.

Sunset light floods a west-facing bowl above a high Yosemite backcouintry lake.

In the recent series of panoramic photographs from the Yosemite backcountry and a follow-up photograph in a more typical orientation, I mentioned this location and its extraordinary exposure to the western sky. Among backcountry locations with which I’m familiar, this one is perhaps the most reliable at producing beautiful sunset light and alpenglow.

For this photograph I decided to simply compose straight on, looking right at the upper (and east) side of the bowl. Even though peak sunset color has not yet quite arrived, the entire cliff face is washed with this warmly-colorful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late Afternoon Shadows, Subalpine Lake

Late Afternoon Shadows, Subalpine Lake
Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

Late Afternoon Shadows, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Long late-afternoon shadows stretch across a subalpine Sierra Nevada lake in the Hoover Wilderness.

During mid-July I managed to get to the East Side of the Sierra fora few days of photography, hiking, and camping. Given the complexities of access to Yosemite right now I decided to go elsewhere — even though my usual “go to” for an initial summer trip like this tends to be the Tuolumne Meadows high country. I spent a bit of time in the Sonora Pass area and then headed further south to a location in the Bridgeport/Lee Vining region, where I found a campsite near a trailhead leading to high country lakes.

Since my schedule is prejudiced by my preference for early and late day light, I spent the early afternoon in camp. But by mid-afternoon it was time to load up the pack of camera equipment and head out. My trail passed several lakes as it ascended, each a bit more alpine than the last. At my scheduled turn-around time I reached a meadowy area with running water, several small lakes and tarns, and the small trees characteristic of near-timberline Sierra locations — in other words, my favorite terrain! I paused to make a few photographs there before starting back down the trail. As expected, the low-angle afternoon light began to distract me from hiking, and I stopped frequently. The first stop was at this small, shallow lake where the shadows were beginning to extend across the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cirque In Shadow

Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.