Tag Archives: talus

Shoreline in Shadows

Shoreline in Shadows
“Shoreline in Shadows” — An eastern Sierra lake, surrounded by meadows and forest and reflecting talus slopes, in early morning shadows.

While we love to photograph mountain light, sometimes it can be tricky. I photographed this scene in the early morning. I had gone out well before sunrise, planning to spend some time working with the soft light before the direct sunshine arrived. The the sunlight first touched peaks high above the distant talus slope, then began to descend toward the lake. I made this photograph while the directly-lit talus field was just outside the frame, and moments later things were very bright!

This is, at least for me, the kind of scene that I don’t immediately “see” as a photograph. But when I do I intuitively work out some kind of composition, moving forward and backward, left and right, higher and lower, and adjusting focal length until it just seems to come together.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees in Morning Light, Granite Dome

Trees in Morning Light, Granite Dome
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.

Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.

I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Rock and Ice

Rock and Ice
“Rock and Ice” — A permanent ice field and rugged alpine terrain in the Sierra Nevada.

This is a classic example of alpine Sierra Nevada terrain. At the very bottom is a bit of alpine meadow, located right at the upper edge of the local tree line. Above that we see large expanses of glaciated granite with rounded and smoothed forms that are now cracked and broken by erosion. Still higher, a permanent ice field (one of a diminishing number of them) nestles in a bowl eroded by its glacial ancestor. The ice field sits at the base of very steep and rugged slopes that rise to unseen peaks.

One result of spending a lot of time in the higher reaches of the Sierra Nevada is that it is easy to forget how exotic such landscapes look to those who don’t visit them. To them, this terrain might seem forbidding and out of reach. But the reality is that once you reach this elevation, the land opens up and you can go almost anywhere without trails, limited only by your imagination and you ability to find routes and navigate.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At Tree Line

At Tree Line
“At Tree Line” — The final small trees give way to meadows and granite at tree line, Sierra Nevada.

On occasion I have been asked about my favorite places in the Sierra Nevada, the range I have wandered for decades. I do have specific favorite locations, but I often answer more generally: it is the country right at the tree line, where the terrain opens up, the highest peaks are visible, there is (usually) water everywhere, and where one can freely wander without trails, constrained only by technical skills, terrain, endurance, and imagination. To me, this IS the embodiment of the “range of light.”

The place in the photograph is a fine example of what I refer to. We were camped at a lower elevation among trees and near a lake. But we could see all the way up this long, open valley with small trees, scattered meadows, and a lovely creek. I walked up it several times during our stay. As I ascended the trees began to thin and the meadows, soggy in places, took over. I made the photograph in the region of the last trees, and then I kept going toward the base of the talus slopes in the distant shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.