Tag Archives: terrain

Desert Ridges, Morning Haze

Desert Ridges, Morning Haze
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

There is a series of lessons I have learned about photography in Death Valley National Park. They including things like seasonal timing, observations about the light at various times of day, the number of locations and subjects that are a bit off the beaten track, and the importance of spending time “poking around” looking for them. One important element sits at the nexus between the immense scale of the place and the qualities of its atmosphere and light: learning to love blue haze in the atmosphere.

As a photographer who has done a lot of work in places where clear air is common — for example, among high peaks of the Sierra Nevada — the bluish haze that is often visible across the immense distances of Death Valley was initially a challenge. (It still can be at times.) Dealing with this required me to learn some lessons about timing… and that I learn to see the haze as a potential asset rather than just a problem. On this morning I had finished photographing a location in the clear sunrise light. I headed to a elevated location with broader views… and lots of the blue haze obscuring distant features. The intent of this photograph was to work with rather than against that condition, and let it help reveal the scale of the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rocky Terrain, Subalpine Lake

Rocky Terrain, Subalpine Lake
Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

Rocky Terrain, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

As I do from time to time, recently I was reminiscing about the Before Times when I headed into the Sierra backcountry for a week or more every summer with a wonderful group of fellow photographers — among whom are several who have been doing these trips for two decades. (Although I’ve visited the Sierra backcountry for what I vaguely refer to as “decades,” I only began to join this group in 2008.) All of us miss these trips, especially what would have been the one celebrating the second decade of the work, but it turns out that there are still discoveries to be made among the photographs we brought back.

On this trip we visited a fairly remote location in the Sequoia-Kings Canyon backcountry, one that took us a couple of days to get to. Once there we spent close to a week photographing the heck out of the place and surrounding wilderness, a high elevation place full of lakes and rocky terrain. We mixed photograph in our immediate “backyard” (sometimes only steps from out tents) with somewhat longer explorations. This photograph comes from a lake rather close to our camp. My weak knowledge of Sierra geology suggests to me that this monumental chunk of rock was probably overrun and sculpted by glaciers in the past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Waterfall And Late-Season Lupine

Waterfall And Late-Season Lupine
Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Waterfall And Late-Season Lupine. © Copyright 2019 G Dan Mitchell – all rights reserved.

Late-season lupines bloom in rocky terrain below a high country Sierra Nevada waterfall.

Our visit to this location, at 11,000′ in the Eastern Sierra Nevada, took place during the last few days of August and the first two days of September. Yes, we were there on Labor Day — and we watched lots more people show up on that last weekend! Most people regard this as the end of the backcountry season. The daylight hours decrease noticeably, and while the weather remains generally beautiful there may be a chill in the air a bit more frequently.

In a typical year the Sierra Nevada high country often becomes rather dry by this time. During August the meadows usually turn golden brown, stream flows diminish, and most wildflowers are just a memory. But in wet years – and this was one of those — there can be a colorful surprise for late-season visitors. We arrived to find lots of flowing water, meadows that still were green in many places, and even copious wildflowers. Here we found huge beds of blooming lupines, an unusual site for the start of September!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.