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A metal wall near the World Trade Center site reflects the colors of surrounding buildings and passers-by.
During our recent visit to New York City we spent some time at the World Trade Center site. This is the third time we have been there. The first was right around New Years 2000, when we did the typical tourist thing and went to the top of the WTC at night and looked over the city. It was an innocent time, wasn’t it?
The second visit was not until a year ago after our oldest son moved to Brooklyn and got a job working within a few blocks of the site. After nearly a decade of media coverage of the events of 9/11 and all of the associations connected with that event, walking up to the actual place was a powerful and sobering experience. At that time, there was nothing much to see other than what appeared as a giant empty space occupied by cranes.
This year things were different in many ways but the same in many others. The area is now a hotbed of activity, with impressive new buildings soaring skyward, construction workers and equipment everywhere. From the right vantage points, portions of the site are beginning to show signs of what the place will become when it is finished – we could even see an area where new trees are planted. As we walked a circle around the area though, reminders of what happened there are still to be found, both small and large. The memory of coming upon a nearby fire station with its poster filled with the photographs of scores who lost their lives on that date affects me even now as I write this.
This photograph was made as we walked along what I recall as the north side of the site, past the new tower that is rapidly becoming the tallest structure in lower Manhattan. A busy sidewalk travels through here, squeezed between the construction area and existing buildings. This metal wall was on one of those buildings, and it is colored by reflections of people passing by, buildings, and sky.
Since I am a fan of Jim’s work as well, we decided to trade photographs and I ended up copy of his very lovely and mysterious “Primitive Coastline” seascape. And, yes, I’ll post my image of his framed photograph here before long. We met back on a rainy winter evening during the holidays and had a chance to “talk shop” a bit, and it was a joy not only to see his work but to meet him.
(I would also like to take this opportunity to offer my gratitude to landscape photographer and master printerCharles Cramer for his invaluable help finding out how to best “see” this photograph as a print. Thanks, Charlie! :-)
During the latter part of 2008 I posted more than once about my participation in Jim M. Goldstein’s Buying Prints project. I’m a bit slow about this stuff, but I get to it eventually!
Earlier this fall I wrote about meeting up with Edie Howe in Yosemite to trade one of my aspen photographs for one of her images from Mono Lake. Last week I finally managed to connect with Jim to make our trade – a copy of my Submerged Boulders, Lake, and Cliffs for a copy of his Primitive Coastline. Jim is a fine landscape and nature/wildlife photographer and also quite the photography writer, blogger, and podcaster. (Follow the link in the first paragraph back to his web site to find out more.)
One of the great things about doing the print exchanges for me is that I get to meet photographers who I otherwise only know from their online personalities. It was a special pleasure to meet Jim and his wife Cindy in their home, talk photography a bit, take a look at some of Jim’s work that currently only exists on his computer, and then to accompany the two of them to a holiday party where I met more photographers. Thanks Jim and Cindy!
