Morning light filters through an eastern Sierra aspen grove on a spring morning.
I often photograph the eastern Sierra aspens when they change colors in the fall, but these groves are appealing in every season – whether bare branches in snow, with green leaves quaking in the summer breezes, turning gold in fall, or with new leaves emerging in late spring.
I photographed these on one of those late-spring days. I had been up much earlier to photograph another subject elsewhere, and then returned to my camp site a bit later in the morning. This is a camp that I often use when photographing in the area east of Yosemite, so I know its surroundings quite well. The area is full of aspen trees, an there are a few small groves along a nearby section of the road that I often walk to. On this morning I stopped on my way back from that other place, just pulling over to the side of the road to shoot as the morning sun light was just arriving at this grove as the sun rose above the surrounding peaks.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.
This was the closest to the winter solstice that I’ve visited Rhyolite, so I shouldn’t have been surprised by several things. First, the sun came up not only later, but also a bit further south along the horizon – and the light that would usually strike these ruins at sunrise was blocked for a while by a large hill that sits next to the town. Second, it was cold! Third, no one else was there at sunrise! This is a bit unusual since in the Death Valley high season (which arrives a bit later in the year), Rhyolite can be a pretty popular place… for a ghost town… in the middle of the desert… in Nevada. :-)
Because I have photographed here several times before and for the reasons mentioned above, I took a bit of a different approach to photographing the place this time. The winter light, some high clouds, and the different point along the horizon of the sun rise meant that the light was quite different from what I’ve occasionally had to work with in the past. At first I was a bit disappointed to realize that the direct dawn light was not going to strike the old Cook Bank and other nearby buildings. But when some clouds to the east obscured the direct light and high, thin overhead clouds begin to pick up color and fill in the shadows, I saw that other interesting lighting was going to make up for it. At the moment that I made this photograph, those clouds to the east (right) of my position beautifully softened what might otherwise have been some stark and harsh light on the pinnacles beyond the town. They also created an unusual and beautiful quality of light for a few moments – a reddish-pink quality from the light reflected from the clouds but with a few soft quality.
I decided to shoot from a distance with a long lens so as to control the position of the ruins against the background hills, and the longer focal length makes these hills more prominent than they would be if I shot the building with a shorter focal length from a closer position. This also allowed me to more carefully eliminate some distracting elements that invariably appear at old sites like this. (The first times I visited, access to most of the ruins was quite unimpeded. Now fences have been erected around some of them. Part of me regrets the loss of access, but the greater part of me understands that this will allow these buildings to be around longer so that more people will get to see them. I stayed behind the fences.) If you look around on the web a bit, you can find some wonderful old photographs of this town when it was a bustling place with thousands of residents, and when the Cook Bank was a very impressive and modern-for-the-time building.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Fresh snowflakes among leaves of grass on the frozen surface of Siesta Lake, Yosemite National Park.
This past week we had the opportunity to do something that we’ll probably not get to do again – drive over Tioga Pass through Yosemite National Park in the middle of January. Until this year, the latest the road had been open was December 31. This year it was still open on January 17, though scheduled to close as I write this. It has been a very unusual weather year in many parts of California, including the Sierra. While the season began with earlier and heavier than usual snow storms way back in early October, this promising start to the snow season was just a tease. A month or so later, the tap was turned off and there was little rain through the end of the calendar year and on into January of 2012.
So with this once-in-a-lifetime opportunity about to end with the promise of snow this week, we drove up the night before and then headed over Tioga Pass Road to Lee Vining and back, stopping frequently along the way. The weather in the morning was a bit of a surprise. I knew that a weak weather system – that had not brought any rain – was departing the Sierra, but we were surprised when we encountered very light snow flurries as we drove up Crane Flat Road to the junction with highway 120, and this continued as we started up Tioga Pass Road. When we arrived at Siesta Lake we found it partly sunny but still trying to snow just a bit. I set up to make a photograph of some trees in cloud-softened light, but as soon as I was ready to shoot the light died! I waited for a while, but finally decided that the light wasn’t returning. I decided to wander over to this small lake and see what I could find along the shoreline – and I found these dormant grasses, half-submerged in winter ice, with a sprinkling of snowflakes on the surface of the ice.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.
The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.
I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!
This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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