Tag Archives: tree

Submerged Autumn Leaves

A confession: Although these are “submerged autumn leaves,” I photographed them on New Year’s Day. We spent the day in the Central Valley with friends, celebrating the new year and photographing birds and landscape. The location is primarily wetlands terrain, but there are cottonwood trees all around, and their colorful leaves were everywhere.

I stopped here after someone told me that they had spotted a single bird of an interesting and rare sort in an easily accessible spot. I spoke to a fellow who told me the bird had gracioiusly posed on a branch for him for ten minutes before flying away. Of course, it was gone when I got there! As I left I crossed a little bridge right where the bird wasn’t. I looked down into the water and spotted these interesting leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Snow Geese Landing

Two Snow Geese Landing
“Two Snow Geese Landing” — Two snow geese in the final moments before landing in a Central Valley wetlands pond.

The larger migratory birds often are graceful or powerful in flight, individually or in flocks. But that tends to break down in some ways as they land. They approach the ground, slow to stalling speed, crane necks forward, extend feet downwards, orient their bodies more vertically… and sometimes look downright silly at the last moment. (An exception can be the angle-like uplifted winds of geese in descending groups.) This pair is just at that moment then they transition from flight to landing.

This is a challenging moment to photograph the birds, but knowing a few tings about their behavior can increase your odds. Like airplane pilots, they come around to land facing the wind. If you can position yourself upwind from their likely landing point you get bird faces instead of bird butts. Also, at the last moment they tend to appear in front of distracting backgrounds. Here a larger aperture can blur the background, and looking for backgrounds that don’t include things that you don’t want in your photo — automobiles, buildings, power lines, etc.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lone Tree, Morning

Lone Tree, Morning
“Lone Tree, Morning” — A solitary tree silhouetted against dawn sky on a foggy morning.

I traveled to California’s Central Valley back in late December, when I saw a weather report calling for thick fog. Now normal people would specifically NOT choose to go there on one of its infamous fog days, when the tule fog can make driving nearly impossible. But I wanted to photograph in those conditions, so I headed over a few hours before sunrise. The fog was extremely thick along the way, and I was looking forward to even “worse” conditions at my destination. But a mile before I got there the fog thinned, dawn light shone through, and high clouds were visible in the soft light.

At first I was disappointed. I had gone to a lot of trouble to be there for fog, and now the fog was dissipating! But it didn’t take long to notice the compensatory visual appeal of the thinner haze and how it glowed in the early light. I found a slightly higher view point, located a lonely tree on the horizon, and made a few photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Tree and Wall

Tree and Wall
A tree grows against a textured and weathered wall in Orvieto, Italy.

Tree and Wall. © Copyright 2023 G Dan Mitchell.

A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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