Yesterday I realized that I had sort of forgotten a huge batch of aspen photographs from this fall in the eastern Sierra Nevada. How can one “forget” a big batch of such photographs, you ask? I simply became busy working on several other projects and after I moved on to them I stopped thinking about the earlier work.
I have so many of them — with more to come! — that I’m not going to string them out and post one at a time. Instead, here is one big batch of them all in one post. To save typing, all are from the eastern Sierra Nevada in October 2014
Evening light on forests and a glaciated granite bowl, Yosemite National Park
Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.
This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A granite peninsula holding small trees extends into the waters of a subalpine lake, Yosemite National Park
I made this photograph on our first real photography day of our early September backcountry photography trip in Yosemite National Park. There is a sort of life-cycle to any trip and especially for longer trips like this one. The entire first day of the “expedition” was spent loading vehicles, driving across California, and getting settled into first night accommodations in the eastern Sierra. The second day was a travel day — first a drive up to our trailhead, getting our gear to the packers who would take the majority of it in to our destination, leaving vehicles and starting the long hike, arrival and camp setup, and dinner… and the day was gone. So this third day of the trip was the first for serious photography.
The first day in a location where you will spend substantial time photographing is an interesting one, and the first morning is a very special time. After two days of transit, this is when photography begins. We arose before dawn, loaded up packs of camera gear, and headed down to the lake, each following his or her own path. It is a time of renewal and recognition — of the features and sensory elements of being in the Sierra high country and of focusing your “seeing” intensely. I began by first making an obligatory warm-up shot or two and then working my way around the west side of the lake, looking back across it toward the early morning sun as it eventually rose high enough to backlight trees and rocks. When I look at this photograph, the point of view and the elements in the frame remind me again of those first day sensations as we began our relationship with this lake and its surrounding terrain, a location we would photograph for the better part of a week.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Autumn foliage on a steep, rocky eastern Sierra Nevada slope
This is a bit of a complicated photograph, and I’ll try to make some sense out of it below. The back story is that I was in the eastern Sierra doing some fall color photography, and early on this Saturday morning I had gone to a fairly popular location for photography. It is a place that I’ve photographed many times, going all the way back to a few years ago just before the huge popularity of digital cameras began to bring sometimes-overwhelming numbers of photographers to the area. I was quite sure that there would be large groups there on this morning, including photography workshop participants lined up along the shoreline of the nearby lake, but I also knew that there would be plenty of other things for me to photograph without joining the crowd.
I began by making some photographs of small things — little vignettes of a few aspen leaves, some rocks and boulders, light shining through branches holding colorful leaves. As I did this I saw that the far side of the canyon was going to remain in shadow after the sun began to wash things out elsewhere, so I decided to use a long lens and photograph trees and rocks in that location from a distance. Most of the photographs feature more obvious subjects such as an individual grove of colorful trees, but in this one I decided to just go with the complexity of the scene, which includes broken rocks, brush, and a few small aspen trees.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
