Tag Archives: trees

Dawn, New Years Day 2013

Dawn, New Years Day 2013
Dawn, New Years Day 2013

Dawn, New Years Day 2013. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light above a San Joaquin Valley marsh on New Years Day, 2013

I didn’t manage to post a real New Years Day photo on New Years Day this year… since I was out and about well before dawn on that morning, thinking that it would be even more fun to greet the new year in the field than to just share a post about it! We were staying in the Sierra foothills and had enjoyed a wonderful New Years eve with friends in the area the evening before. Although we had planned to “call it a night” soon enough to turn in early in anticipation for a pre-5:00 a.m. wake-up call, it was after midnight when we finally got to bed.

We were up at 4:45 – yes, on New Years Day! – and out the door shortly after 5:15, and on our way out into the San Joaquin Valley, where a small group of us assembled at about 6:30 in the darkness. After sleepy “Happy New Year!” wishes we headed off into the first pre-dawn light to look for geese and cranes and other critters. Within a few minutes I stopped along the levee road by these trees to make my first real photograph of the new year as the first light began to turn high clouds over the Sierra a beautiful shade of pink.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Old Cottonwood Trees, Autumn

Old Cottonwood Trees, Autumn
“Old Cottonwood Trees, Autumn” — Old cottonwood trees against autumn sky, Grand Staircase-Escalante National Monument

This is a photograph that I wish I had seen this way while I was there! On the scene, while wandering into a beautiful section of a big, deep canyon to photograph water, sandstone, and fall colors, I came across these trees (or this tree – they may grow from a common root system) and made the photograph in landscape orientation… and only realized while working on it in post that I really like it in portrait orientation, too. So, yes, this is cropped from a larger original photograph.

I don’t know how others will “see” this, but for me this version recalls a lot of older monochrome photographs of subjects like this from an earlier era – the era in which I first came to be fascinated by photography. Way “back in the day” when I first did photography, with the encouragement and help of my father, virtually all of the photographers whose work inspired me shot black and white. With that in mind, and with my early experience involving how to shoot, develop, and print black and white, I suppose it shouldn’t be a surprise that I still love monochrome. (A number of my personal favorites among my own work are black and white.) In this one I even applied the virtual equivalent of the classic filtering to alter the tonal balance and lighten clouds and foliage and somewhat darken the massive, twisting forms of tree trunks and branches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Butte and Petrified Dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park - Morning light on buttes and petrified dunes, Arches National Park
Morning light on buttes and petrified dunes, Arches National Park

Butte and Petrified Dunes, Arches National Park. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on buttes and petrified dunes, Arches National Park

While I’m fascinated and amazed by the namesake arches in this park and by the monumental sandstone buttes, mesas, fins, canyons, towers, and more… I also find that the light and the atmosphere can produce some of the most interesting subjects in Arches National Park. Because this particular butte and the terrain beyond are seen from a spot that is also excellent for photographing certain other nearby subjects, especially in the early morning, this was not the first time that I photographed this scene – though the atmosphere and light were so different on the two main occasions that you might hardly see them as the same subjects at first.

After photographing some impressive nearby sandstone formations in early morning light, I watched as the sun rose high enough to slant its light across the tops of the low formations known as petrified dunes. This is one of several photographs I made there were largely “about” that light and those dune structures, though in both cases I used them as elements in a larger scene rather than the primary subject. Here the backlit morning haze was thick enough to almost render the furthest buttes in the upper right corner of the frame invisible. They are a good distance away, being on the far side of the canyon of the Colorado River, which is visible in front of the buttes. The large, close butte at the lower left posed a challenge as the “front” side was in shadow. (Though the challenge here was less than the last time when I shot here – on that occasion the backlight was so brilliant that I could keep almost no detail in the front of that butte.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Escalante River, Cottonwood Trees, Autumn

Escalante River, Cottonwood Trees, Autumn - Large cottonwood trees with autumn leaves along the Escalante River, Utah
Large cottonwood trees with autumn leaves along the Escalante River, Utah

Escalante River, Cottonwood Trees, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cottonwood trees with autumn leaves along the Escalante River, Utah

In many places like this one along the Escalante, the terrain seems to be largely a continuous repetition of one horseshoe bend after another, and each bend encourages me to want to see what will be ahead. When the river bends one way, the bottom of the canyon may be in sunlight; when it bends the other – and perhaps narrows around the apex of the bend – everything may be in deep shadow from the tall cliffs above the narrow canyon. In these bends it is often necessary to cross back and forth across the stream as the canyon narrows. (That ritual was a new one to me as a long-time Sierra Nevada hiker and backpacker. There a stream crossing or two in a day would typically be about it, and we tend to make a big deal out of them. Here you might cross a stream more than a dozen times in less than a mile!)

The location of this photograph was at one of those crossing points. The trail approached my camera position from up the canyon and around the bend along the right (from this point of view) side of the stream, crossed the river down among the trees, and then headed across a low hill to the left that skirted between the river and the base of the cliffs. When I arrived at this point and walked underneath this wildly colorful group of cottonwoods, I thought I’d like to find a way to photograph them, the river, and the dark upper canyon. So, before wading through the water I went ahead a bit and climbed up on a sort of ledge to this overlook from which I had a good view up the canyon. Because it was a partly cloudy day, the light here was in a constant state of change. When the clouds moved overhead, the canyon and the trees become quite dark. But a moment later the cloud would pass on and the sun lit the golden trees so brightly that it was almost impossible to photograph them and keep any light in the background canyon. So I watched and waited and made this exposure when the clouds partially obscured the direct sun, but still let in enough light to brighten the trees and cast soft shadows on the bank of the stream.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.