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Photographers, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Light, Upper Young Lake

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Evening Light, Upper Young Lake
Evening Light, Upper Young Lake

Evening Light, Upper Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

Early evening light on a tree-covered rocky peninsula at Upper Young Lake, Yosemite National Park, California.

I’ve visited these lakes almost annually for a number of years, since I first visited one autumn on a long day hike from the Tuolumne Meadows area. Many people visit the lower lake on day hikes, quite a few others backpack to the area and visit all three, and climbers on their way to Mount Conness also pass through the area. My plan was to stay several days so that I could do a lot of photography in the  area. The upper lake provides a beautiful sub-alpine scene, surrounded by relatively level meadows with small hills interspersed with rocky rises and groves of trees. Because the area is open to the west there can be stunning evening light here… and that I precisely why I went to the lake on this evening.

I was camped at the lower lake, where I had photographed in the morning. After I finished up my morning photography I spent a good part of the late morning and early afternoon eating a post-shoot late breakfast, more or less hanging out, reading, doing a few camp chores, and finally having a very early dinner at about 3:00 – the plan is to eat the big meal of the day early, go off and do photography as the evening light approaches, and then return to camp after dark and have something to eat before climbing into the sleeping bag.

The route that I prefer to use to get to the upper lake is not really exactly a trail. Anticipating that I’d be returning from the upper lake via this route in near or actual darkness, as I climbed it I made sure to remember a series of landmarks that I could use to find my way back. At various junctures on the route – as I would do on any similar route – I stopped to look backwards and fix in my mind certain obvious route cues that I could follow on the way back: stay above the thicker trees, stay in the middle of the bench, cross the low rise while heading straight toward a certain distant ridge, begin the descent at the two groves of trees next to the lake, and so on. I was so focused on this that when I reached my final landmark at the upper lake I barely looked around – I arrived at the final grove and immediately turned right to walk the short distance to the lakeshore and look for compositions. At about this point I recalled that I also had planned to check out camping possibilities for a future visit, so I looked back up at the grove I had just left.

I saw a tent and two people and tripods – all of which I had completely overlooked at first, so fixated was I on my “route.” I walked back up to say “hi” when I noticed that one of the two photographers looked quite familiar. I approached and said, “You bear a striking resemblance to John Sexton” – which made a lot of sense in that he was John Sexton. (If you don’t know who he is… you should. Follow the link to his web site and perhaps do a bit of searching to find out more.) I have, of course, known of John’s wonderful photography for some time and I had most recently been to a lecture at the opening of a show of his work in Carmel earlier this summer. The other photographer was Anne Larsen.

The wilderness is always full of surprises, but meeting John and Anne in the Yosemite back-country was one of the most pleasant in recent memory. We spoke for a while until the light began to become more interesting, but at various times during the evening we again ran into one another and talked about this and that. The next morning I met them once again as we were heading back to the trail head. (I felt a bit guilty about my “tiny” 15 pound load of photography equipment – they were each carrying close to 30 pounds of film gear!)

The photograph is of a tree-covered rocky rise at the end of a narrow curving peninsula that forms a small lagoon near the outlet of the lake. My initial thought had been to photograph a small tree near the edge of the lake – one that I have photographed in the past – but John correctly pointed out that it would be in shadow at the time of best light, so I decided to focus on this subject instead.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Cascades, Photographs: Nature

Trees and Boulders, Artist Point

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Trees and Boulders, Artist Point
Trees and Boulders, Artist Point

Trees and Boulders, Artist Point. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Ridgetop trees and boulders along the trail catch the afternoon light at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.

I had been admiring this steep, rugged, and distant ridge all afternoon, starting with our first shooting location down lower on the mountain. As we hiked up the Artist Point trail, we took a detour to the right and I noticed this low rocky ridge covered with trees and the ridge in the distance. At first I couldn’t quite see a shot and I looked elsewhere, but soon I came back to this spot and thought that something with the foreground rocks and trees along with the clouds and more distant ridge might be interesting – but as soon as I saw this a large cloud floated over and blocked the sun from my position, leaving the nearby trees and rocks in shade!

Sometimes when this happens it makes more sense to move on and look for a photograph that works with the conditions you have, but other times it can be worth waiting. It is hard to know for sure which is right, but I decided to set up and sit tight, waiting to see if the light would improve. The light shining around the edge of the cloud was tantalizingly close, but the cloud was stubborn about moving. At one point the light increased a bit for perhaps 15-20 seconds, but then quickly went away. I continued to wait. Finally, the light began to gradually increase, and I got about one minute or less of sun before the cloud again blocked the light – but this was long enough to make a few exposures of this scene.

I have a favor to ask of anyone who is familiar with this area – help in identifying the trees and, even more, help in identifying/naming the distant ridge and the peaks that sit on it. I’m not great at plant identification, but I’m really out of my league in the Cascades. One person walking by as I made the shot seemed to think that the trees are mountain hemlock – but I’d be grateful if anyone can confirm this… or set me straight. Although I was impressed with the peaks on the ridge in the distance in this photograph… I do not have any Washington topographical maps or guide books, so I’m completely in the dark about what to call this ridge or the peaks. Here, too, I would be grateful if anyone can help me identify the ridge, the peaks, and any other important features in the photograph.

Update: A Facebook reader shared information about the peaks on the distant ridge in this photograph…

Alan Majchrowicz writes: “From left to right, Tomyhoi Peak, Canadian and American Border Peaks, Larrabee Mountain. Nice photo Dan, hope I can break away this week and spend some time up there!”

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Cascades, Photographs: Nature

Sunset, Mt. Shuksan and Picture Lake

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Sunset, Mt. Shuksan and Picture Lake
Sunset, Mt. Shuksan and Picture Lake

Sunset, Mt. Shuksan and Picture Lake. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Sunset on cloud-shrouded summit of Mt. Shuksan with Picture Lake in the foreground, Mt. Baker-Snoqualmie National Forest, Washington.

Icon alert! I understand that photographing Mt. Shuksan from this locale is, in the Pacific Northwest context, perhaps almost equivalent to photographing the Golden Gate Bridge from the Marin Headlands or photographing Yosemite Valley from Tunnel View. As a brand new photographer of Cascades Range subjects, I plead guilty to succumbing to this icon and photographing it. (I’m told that the only thing that this photograph needs in order to qualify for full “yet another photo of an icon” status would be to come back in a month and shoot it when the fall colors appear.)

My brother and I had been up higher photographing the Artist Point area for most of the afternoon, and he suggested that since we were here we might stop at Picture Lake on the way back down the mountain and see what might develop. I’m glad he did since, icon status aside, this really is a stunning and beautiful location and it was a quiet and beautiful evening. Several things made it special, I think. First, while the summit of Shuksan never fully cleared, the clouds shrouding the summit gave it a more dramatic aspect than might have been the case with an unobstructed view. Second, much to our surprise, we were not joined by a throng of other photographers. At first we were the only ones there, and later we only saw a few others in the area.

This was a technically challenging scene to photograph. The lake and foreground trees were in shadow at this point, though on the scene one could still see the details of the forest along and beyond the far shore. Yet the summit of Shuksan and the clouds were in full sun, and making this even more difficult, the red sunset light was extra intense. The eye can take all of this in without a problem as you move your focus from foreground to distant peak, but the camera is not as capable – and the dynamic range of the scene dramatically exceeds the capabilities of cameras. So, again, this photograph is a composite of three exposures manually blended in post to combine the best exposures of bright and saturated highlights with the best exposure of the dark forest along the shore of the lake.

Update on 9/29/10: I recently noticed that I had misidentified the lake in the photograph! I have corrected the post to call it by its correct name, Picture Lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Cascades, Photographs: Nature, Photographs: Night

Dusk Clouds, Mount Shuksan

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Dusk Clouds, Mount Shuksan
Dusk Clouds, Mount Shuksan

Dusk Clouds, Mount Shuksan. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Evening fog clouds shroud the summit of Mt. Shuksan above Picture Lake – Mt. Baker-Snoqualmie National Forest, Washington.

Since we were in the neighborhood – we passed right past it on our way down from Artist Point – my brother suggested that we stop and photograph the iconic view of Mt. Shuksan from Picture Lake. Actually, as I understand it, the really iconic image is usually made about a month later when the slope along the far shore of the lake turns golden with fall foliage. I only knew the location from photographs, so I was surprised to find that it is a roadside lake with a boardwalk/trail to the typical shooting location! I understand that if I were to return in a month I would be shoulder to shoulder with scores of photographers – but on this evening we were initially the only ones there, though a couple others photographers eventually showed up.

When we arrived things did not look too promising in photographic terms. The peak of Shuksan was entirely socked in by clouds and fog, but my brother said that, in his experience, it was not uncommon for the fog to dissipate and rise as the day ends. (This was in line with my knowledge that the best light can often happen after the sun sets – and I’m always surprised at the number of photographers who pack up and leave before this happens.) As we watched, the saturated colors of the last moments of the day came on and, as if on cue, the clouds began to thin. This was perhaps the very last photograph I made. It was shot some time after the actual sunset and the conditions were quite dark. I thought that a very long post-sunset exposure might capture the diffused quality of the clouds as they moved across the face of the peak and that it might be possible to capture some of the very subtle post-sunset coloration. In the end this exposure was a bit longer than two minutes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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