Tag Archives: trees

The Cranes Return, Dusk

The Cranes Return, Dusk
As the day ends, sandhill cranes return to the wetlands.

The Cranes Return, Dusk. © Copyright 2020 G Dan Mitchell – all rights reserved.

As the day ends, sandhill cranes return to the wetlands.

Sandhill cranes are often the first birds I am aware of in the early morning and the last I look for in the evening before I put my camera away. In fact, the boundary between enough and too little light often comes during their evening return, so it isn’t unusual to end the day just watching them.

I’ve never quite figured out where they go during the day, though I suppose that some investigation would turn up the answer. (In a West Coast location I once found thousands of them in a dry, barren, out-of-the way place where I was virtually alone with them.) I’ll never forget the first time I experienced their evening return. At the end of a day of photography it was becoming dark — too dark, I thought, to continue. As I was about to pack up my gear I heard a remarkable sound coming from the southeast, a sound that I didn’t understand then but which I now recognize immediately as that of the returning flocks. A few moments later hundreds (more likely thousands) of them arrived, filling the sky, and then descending to nearby ponds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes, Pond, Autumn Morning

Cranes, Pond, Autumn Morning
A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

Cranes, Pond, Autumn Morning. © Copyright 2020 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes stands in a wetland pond in early morning autumn light.

I am a big fan of these flat landscapes of trees and grasses and ponds and birds, especially between the last month or so of autumn and the end of winter. All up and down California (and in many other places, too) migratory and native birds are everywhere, and while it might seem that there isn’t much happening here from the human perspective, the action is almost continuous in the lives of birds. The first thing I do when I arrive in such places before dawn is open the car window or door and listen — the sound may be that of a few far-off birds or it might be the raucous chorus of thousands of them nearby and overhead, but the striking sound of the cranes is almost always somewhere in the mix.

I began photographing before dawn on this morning as I usually do. I slowly worked my way along a levee, pausing to watch for and then photograph birds in the low light. The first big group I spotted was a large flock of snow geese, but they were not in a great spot for photography, so I kept moving. Soon I came upon a huge flock of hundreds of cranes in and around a pond. At first they were mostly standing still in the shallow water, but gradually they began to become restless and then, group by group, take to the air and fly away. I don’t recall now for sure, but judging by their attentive postures, there’s a good chance that this group left shortly after I made the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Perch

The Perch
A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

The Perch. © Copyright 2020 G Dan Mitchell – all rights reserved.

A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

This little clump of wetland trees is very familiar to me at this point, since I’ve photographed in this area for several years, typically during late autumn and winter months. I like to claim I go to photograph birds (yes, it is true) — but I also go to see and photograph the atmosphere and landscape of this corner of California’s Great Central Valley. One near constant with this copse is that there is virtually always at least one raptor perched on the highest branches.

This past week I understood a bit more another reason to go to such places. During the pandemic and its attendant travel restrictions, we’re all spending a lot more time in a very localized area around our homes, and for most of us that means that we are not seeing the expansive views that place like this offer. I’ve missed the wide-open sky and the big landscapes — and even short visits are therapeutic. For many of us it isn’t necessary to travel to a faraway location and a day or even an afternoon may be enough.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Central Valley Winter Sky

Central Valley Winter Sky
Pre-sunrise winter sky and thin fog above Central Valley wetlands.

Central Valley Winter Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pre-sunrise winter sky and thin fog above Central Valley wetlands.

These days it is hard to precisely put my finger on the character of California’s Great Central Valley, comprised of the San Joaquin and Sacramento Valleys and the delta where they merge with the San Francisco Bay. Many years ago a drive though the valley was all about agricultural communities, but today things are less homogeneous. Some areas seem more like extensions of the urban San Francisco Bay Area — see towns along the busy I80 corridor and the “bedroom communities” from which long-distance drivers commute in each day. Other towns further into the Valley, including many along Highway 99, have become so large that their agricultural roots seem more distant. To be sure, agriculture remains pervasive in the Valley, as a drive though almost any portion of it will make clear.

Among the features that continue to define this valley for me are its flat geography and the vast expanse of uninterrupted sky. This photograph focuses on both. I chose to place the horizon very close to the bottom of the frame since that’s were it is when we look up at skies like the one in this photograph. It was very early on a late-winter morning, before the sun had come up. The light was blue and thin dawn tule fog was dissipating above these wetlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.